A Quote by Yang Lan
I'm very curious to witness the historic transformation of Chinese women.
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If you read a lot of Chinese literature, there has always been very strong women figures - warriors, swordswomen - who defended honor and loyalty with the men. So, it's not new to our culture - it's always been very much a part of it. It's good that now the Western audience would have a different image of the Chinese women.
The Chinese traditionally have revered age and longevity - I have one and hope for the other! - so, in Taipei, a city-hub for global Chinese who dis-identify with the People's Republic of China's construction of a Communist nationalist Chineseness, I called on the Chinese muse of writing to witness my emergence out of the academic woods.
The system of patriarchy is a historic construct; it has a beginning; it will have an end. Its time seems to have nearly run its course—it no longer serves the needs of men or women and in its inextricable linkage to militarism, hierarchy, and racism it threatens the very existence of life on earth. What will come after, what kind of structure will be the foundation for alternate forms of social organization we cannot yet know. We are living in an age of unprecedented transformation. We are in the process of becoming.
The Witness is a huge step forward, and it is a necessary and important step in meditation, but it is not ultimate. When the Witness or the soul is finally undone, then the Witness dissolves into everything that is witnessed. The subject/object duality collapses and there is only pure nondual awareness, which is very simple, very obvious.
Our responsibility is to rally and lead the whole party and the Chinese people of all ethnic groups, take up this historic baton and continue working hard for the great renewal of the Chinese nation, so that we will stand rock firm in the family of nations and make fresh and greater contribution to mankind.
'Rudhramadevi' is a film which falls into a very new genre. It is a historic and biographic genre movie. It should be called a bio epic. I am curious to see how the audiences accept the film.
The release of 'Chinese Democracy' marks a historic moment in rock n' roll.
It's very important to be curious in a very universal way. Whether someone is poor or rich, I'm curious about everything.
The southern Chinese are a mixture of the Han, or northern Chinese, and the local tribes, some of which allowed women a great deal of freedom - much to the horror of the Chinese who were good Confucians. As a result, the folklore from southern China has strong females; and I found that the folktales mirrored my own experience.
There are photographers who push for war because they make stories. They search for a Chinese who has a more Chinese are than the others and they end up finding one. They have him take a typically Chinese pose and surround him with chinoiseries. What have they captured on their film? A Chinese? Definitely not: the idea of the Chinese.
I really wanted to explore a range of women who aren't necessarily perfect, heroic women. I wanted to series to influence creative people to include more women in their work, especially historic works.
The Paris Agreement is, in fact, a historic one because it marks the culmination of a phase of very long, drawn-out negotiations involving more than 190 countries. Why is it historic? Because it shows the way for our societies to change from the ground up, to create an economy that only depends on fossil fuels to a very slight degree.
I guess a witness is all I am. I think as a writer, you're pretty removed. Writing is a very selfish, individualistic pursuit. So in that sense I'm a witness because I'm not participating.
The true essence of Chinese culture is sophistication, refinement, the spirit of poetry. The spirit of ink painting and calligraphy lives on forever. Calligraphy is more important than painting. Chinese always consider nature. Man is a very small part of nature. That's why in Chinese painting you see huge mountains and man very small, very humble before nature. You must be harmonious and one with nature. You don't fight it. And then there's a bit of a poetry. Of course, it's very complicated, but also very simple.
I've never been very attached to genre labels and never set out intentionally to write historic fiction. Besides, what you consider historic depends on how far back your memory extends.
I'm very curious about David Bowie's new record [2016]. I'm very, very... I'm just incredibly curious, I want to see what's happening with that. I don't really know who else is putting out records, we've had our heads buried working on ours. I haven't really been paying much attention lately.
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