A Quote by Yann Martel

We believe what we see.’...What do you do when you’re in the dark? — © Yann Martel
We believe what we see.’...What do you do when you’re in the dark?

Quote Topics

You see, you closed your eyes. That was the difference. Sometimes you cannot believe what you see, you have to believe what you feel. And if you are ever going to have other people trust you, you must feel that you can trust them, too--even when you’re in the dark. Even when you’re falling.
In a dark time, the eye begins to see / I meet my shadow in the deepening shade...Dark, dark my light, and darker my desire.
For black people who are really dark - and a lot of black people were averse to be dark skinned - it was believed that you'd be so dark that you couldn't see them at night unless they were smiling or you could see the whites of their eyes. At one time, it was a sharp comic barb that got levelled at some people.
Men who cannot believe in the mystery of our Saviour's redemption can believe that spirits from the dead have visited them in a stranger's parlour, because they see a table shake and do not know how it is shaken; because they hear a rapping on a board, and cannot see the instrument that raps it; because they are touched in the dark, and do not know the hand that touches them.
I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
Sometimes you cannot believe what you see, you have to believe what you feel. And if you are ever going to have other people trust you, you must feel that you can trust them, too - even when you're in the dark. Even when you're falling.
I am an optimist. I believe the future is bright. I think people who see life painted in dark colors are the ones who do not take ownership.
Every book should begin with attractive endpapers. Preferably in a dark colour: dark red or dark blue, depending on the binding. When you open the book it's like going to the theatre. First you see the curtain. Then it's pulled aside and the show begins.
I have a controversial opinion about evil, because I don't believe evil exists. I believe that actions are dark and destructive but I don't believe evil is a thing. I believe it's a by-product of man's fear and desperation.
And if your head explodes with dark forebodings too I'll see you on the dark side of the moon.
Perhaps I could best describe my experience of doing mathematics in terms of entering a dark mansion. You go into the first room and it's dark, completely dark. You stumble around, bumping into the furniture. Gradually, you learn where each piece of furniture is. And finally, after six months or so, you find the light switch and turn it on. Suddenly, it's all illuminated and you can see exactly where you were. Then you enter the next dark room.
I don't personally see my work as being dark. What interests me is a balance between light and dark.
But death is stronger than that and when you cover your eyes you are the one who can't see the dark. The dark still sees you.
We see light, not dark. But it is in the dark that we feel goblins and ghosts.
I was really surprised at the success of 'House of Sand and Fog,' because it is so awfully dark. Believe it or not, when writing it, I never had the word 'tragedy' in my head - I wasn't trying to write a dark book at all.
O dark, dark, dark, amid the blaze of noon, Irrecoverably dark, total eclipse Without all hope of day!
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