A Quote by Yann Martel

What works in a story is very different than what works in cinema. For example, dialogue in books: If you translate it too faithfully, it sounds a little stilted, because we often don't speak the way we speak in novels. Oral language is much punchier, shorter sentences.
The language of prose is very different than the language of cinema, so the movie has to successfully translate what was in the book.
I don't speak anything very well. The longer that you travel, you find out that you really don't even need to speak the language to get around and get things done, to live in those places. If you're somewhat resourceful and perceptive, you're pretty much going to know what's going on because human nature is human nature: they understand it, you understand it, and it works.
There’s a real question as to what beauty is and why it’s important to us. Many pseudo-philosophers try to answer these questions and tell us they’re not really answerable. I draw on art and literature, and music in particular, because music is a wonderful example of something that’s in this world but not of this world. Great works of music speak to us from another realm even though they speak to us in ordinary physical sounds.
Great works of music speak to us from another realm even though they speak to us in ordinary physical sounds.
Why is contemporary China short of works that speak directly? Because we writers cannot speak directly, or rather we can only speak in an indirect way.Why does contemporary China lack good works that critique our current situation? Because our current situation may not be critiqued. We have not only lost the right to criticise, but the courage to do so.Why is modern China lacking in great writers? Because all the great writers are castrated while still in the nursery.
There's lots of good movies where you feel that the dialogue could be improvised, but very little was. The "Big Lebowski" was like that where people say "oh, you know, that sounds so..." and we'd always go back and get every man, every ellipses in there the way these guys write it. Because not only is it saying what Michael wants the character to say but the way they all speak kind of creates this tone because it's not exactly real.
I write description in longhand because that's hardest for me and you're closer to the paper when you work by hand, but I use the typewriter for dialogue because people speak like a typewriter works.
I speak to people in the languagethey understand. First I have a dialogue, if that is not understood I speak inanother language. There is no remedy for this.
Elegance of language may not be in the power of all of us; but simplicity and straight forwardness are. Write much as you would speak; speak as you think. If with your inferior, speak no coarser than usual; if with your superiors, no finer.
If I do not speak in a language that can be understood there is little chance for a dialogue.
I speak a little bit of Italian, yeah. I understand more than I speak. I speak more of a dialect; my mum's from Naples and my dad's from Sicily, so it comes out little a bit of a cocktail of the Italian language.
The Last Of England works with image and sound, a language which is nearer to poetry than prose. It tells its story quite happily in silent images, in contrast to a word-bound cinema.
So perhaps the correct conclusion is that Green was less attuned to how people sound when they speak - the actual words and expressions they employ - than to what they mean. This notion of dialogue as a pure expression of character that...transcends the specifics of time and place may be partly why the conversations in the works of writers such as Austen and Bronte often sound fresh and astonishingly contemporary.
I love the three-act theory. It works and works beautifully. But you don't necessarily have to structure a story that way: Cortazar and Borges wrote in different structural styles.
The way the educational system in Russia works is studying a foreign language is part of the program, so by the time you get to the age of 10, you pick up another language. I speak a bit of Russian, a bit of English, a bit of Spanish a bit of French.
It is an absolute privilege to be able to speak another language and have it be something you grew up with. I think it's a very important thing and I think that everywhere else in the world people speak more than one language.
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