A Quote by Yann Martel
I think art comes from some sense of discomfort with the world, some sense of not quite fitting with it.
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Talking about the fact that I get depressed or that I've had some suicidal issues in my life is not easy. I don't know of many comedians who are going all in on that. In some sense, I think I've maybe sacrificed some momentum doing that. In another sense, I'm in a place where if I can talk about that and if it helps some kid in a way that gives them some help that wasn't available to me when I was a kid, then I gotta do that. Put being a good person first. If you have a platform, use it for stuff that's noble and good and worth putting out in the world.
I like playing with that space between laughter and discomfort where your discomfort can also make you laugh, and you're confused about the mixed feelings. That's challenging, and I think that's what makes for some of the best art.
We live in a very mollycoddled society where the slightest bit of discomfort is seen as wrong, but that discomfort is there for a reason. It's supposed to trigger some form of action, some form of change, a realization of a truth - something, and I think the self-help world has you believing that you should be happy all the time.
Longing is the fullest sense of desire; it's the most deeply felt kind of desire. I think the most interesting artwork comes out of some sense of longing. It could be called dissatisfaction; it could be called distance. There are many kinds of wanting to get closer to something else, whether that is an idea, a body, a place. Longing is also one of the conditions people approach reading, visual art, or music with - it's to satisfy that sense of longing. It's part of my job, on some level, to grapple with that notion.
Music, art, writing - it gives us a sense of who we are, a sense of our history, a sense of our future and it should provide some kind of comfort. It's not just entertainment for entertainment's sake, it's an investment.
I have this horrible sense of humor where I think discomfort is funny - partly because I experience discomfort a lot, and it's a way of laughing at it and getting a release.
Although not of the quality of my later work, I feel there is some quality to it [my early work] in an art sense, and probably some additional quality in a biographical sense.
I don't think that when I'm acting I feel like I lose myself to it, but that sense of losing, that sense of discomfort, well, I guess maybe that comes a bit! It's about redefining what 'uncomfortable' means for you.
I suppose everyone continues to be interested in the quest for the self, but what you feel when you're older, I think, is that ... you really must make the self. It is absolutely useless to look for it, you won't find it, but it's possible in some sense to make it. I don't mean in the sense of making a mask, a Yeatsian mask. But you finally begin in some sense to make and choose the self you want.
You're dealing with a character who is, at some points, quite insane. And I hope that any wicked, dark sense of humor Eric exhibits comes out of the fact that he'd been pushed to the point where it seems quite sensible to say some of the ridiculous things he says.
It is not easy to convey a sense of wonder, let alone resurrection wonder, to another. It’s the very nature of wonder to catch us off guard, to circumvent expectations and assumptions. Wonder can’t be packaged, and it can’t be worked up. It requires some sense of being there and some sense of engagement.
It is not expensive to be beautiful. It takes only a little effort to be presentable and beautiful. But it takes some effort. And unfortunately people think of beauty as luxury, beauty as frivolity, ... or extravagance. Beauty is a discipline, beauty is art, is harmony, in the ideological sense and in the theological sense, beauty is God and love made real. And the ultimate reach in this world is beauty.
A lot of '20s musicals were a hodgepodge of melodrama, mixed with operetta and romance, and then some sense of modernism and some sense of irreverence.
I think most people who decide to become a musician have to be prepared for some degree of struggle. It makes the art better if you go through some struggles. To be an artist, in any form, you have to develop some sense of compassion and empathy - it's an important quality for everyone to have, on a human level. But I think, as part of our job, you have to be able to do that, so suffering, tends - if you allow it - to let you look on the bright side. It will help with those senses.
If refined sense, and exalted sense, be not so useful as common sense, their rarity, their novelty, and the nobleness of their objects, make some compensation, and render them the admiration of mankind.
The good Jew is ritually observant and resists assimilation, in some sense living apart, never fitting comfortably into American or any other society.
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