A Quote by Yann Martel

Cinema is visually powerful, it is a complete experience, reaches a different audience. It's something I really like. I like movies. — © Yann Martel
Cinema is visually powerful, it is a complete experience, reaches a different audience. It's something I really like. I like movies.
I love cinema. I think the risk of the aesthetics being fixed is compensated by other advantages. Cinema is visually powerful, it is a complete experience, reaches different audience. It's something I really like. I like movies.
I'm not a huge fan of 3-D, though. Honestly, I think that movies are an immersive experience and an audience experience. There's nothing like seeing a film with 500 people in a theater. And there's something about putting on 3-D glasses that makes it a very singular experience for me. Suddenly I'm not connected to the audience anymore.
I don't really follow television so much, but in the old days there was a certain way TV was, and it wasn't really like cinema. I don't know how many ways it was different or the same, but it was not quite like cinema. Now, cinema can happen on television.
I like action movies, even though I think action movies are kind of derided now. But there is something extraordinary about action movies, which is absolutely linked to the invention of cinema and what cinema is and why we love it.
I seem to wonder if we can reach some kind of new destination with cinema, or touch upon human existence in a different way to what cinema usually does in its very schematic and sometimes very controlled, plot-oriented ways of thinking. Sometimes I feel like I've found the holy grail, and next week I think it's a complete mistake and I need to try something completely different. It's an ongoing process.
It's basically how I choose movie roles. Would I like to see this movie? Is this movie important? Why would I do this? And Headhunters is a movie that I would like to see in the cinema. And when it's sold to 50 countries or whatever, for me it's a great deal. I make movies for an audience so if that audience grows, I feel really honoured and thankful for it.
I like films, I like movies, I like playing different characters and working with different actors, and filming in different places. I like movies, because it's kind of a combination of every art, it's like it's picture, it's story, it's music, it's kind of like a clash and a collide of every art. It's really neat.
Yeah... I like films, I like movies, I like playing different characters and working with different actors and filming in different places. I like movies because it's kind of a combination of every art: it's like, it's picture, it's story, it's music, it's kind of like a clash and a collide of every art. It's really neat.
There's something I really like about network TV. You have this humongous audience, tens of millions of people, and you really can be in a little hut in Thailand; you really can be in the middle of an apartment in Dubai. There's something about public entertainment that I always liked. I like smaller movies, and I like public entertainment.
I really like suspense in movies. I don't really like rom-coms. But that being said, as an audience member I really like horror films and actress I really like working with fake blood; I think it's so fun.
What I'm really trying to do is recreate classic Hollywood cinema and classic genre cinema from a woman's point of view. Because most cinema is really made for men, how can you create cinema that's for women without having it be relegated to a ghetto of "chick flick" or something like that?
With solo shows, you have complete control over the set list. If you feel like you want to do something different or do a new song, you can just work it in. You can talk to the audience or not talk to the audience. There's nothing that's set.
I'm not writing necessarily for an audience. I think about the audience at the end, once I have a complete book. But, when I'm writing it, I really need to feel like I'm learning, and I'm investigating something that I'm personally interested in.
Sometimes critics disagree with the audience, and that's fine. I make movies for the audience. I guess I hope that the critics like it, but on the other hand, I just really want the audience to like it.
We like movies and books that give us this emotionally moving experience, where you feel like a slightly different person, and you see the world a little different after you finish. It lets you see your own life in a different way, and it actually makes you feel really good.
In the vast majority of movies, everything is done for the audience. We are cued to laugh or cry, be frightened or relieved; Hitchcock called the movies a machine for causing emotions in the audience. Bresson (and Ozu) take a different approach. They regard, and ask us to regard along with them, and to arrive at conclusions about their characters that are our own. This is the cinema of empathy.
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