A Quote by Yann Martel

Any writer will be happy and good only if they know what they're doing and why they're doing it. — © Yann Martel
Any writer will be happy and good only if they know what they're doing and why they're doing it.
I really dislike when people talk about "experimental," because any good writer is experimental. As a writer, you don't know what the hell you're doing. You're just doing it. You hope it works out well. I've been experimenting with these things myself in my own books.
It is impossible for any rational creature to be happy without acting all for God. God Himself could not make him happy any other way... There is nothing in the world worth living for but doing good and finishing God's work, doing the work that Christ did. I see nothing else in the world that can yield any satisfaction besides living to God, pleasing Him, and doing his whole will.
I just want to encourage every one of us to realize when we obey God, we’re not doing it for God—I mean, that’s one way to look at it—we’re doing it for ourselves, because God takes pleasure when we’re happy. That’s the thing that gives Him the greatest joy. So, I want you to know this morning: Just do good for your own self. Do good because God wants you to be happy. When you come to church, when you worship Him, you’re not doing it for God really. You’re doing it for yourself, because that’s what makes God happy. Amen?
I found me a place where I can do good without doing any harm, and I can see I'm doing good, and them I'm doing good for know I'm doing it, and they love me, Unk, as best they can. I found me a home.
God will not turn away from doing you good. He will keep on doing good. He doesn't do good to His children sometimes and bad to them other times. He keeps on doing good and He never will stop doing good for ten thousand ages of ages. When things are going bad that does not mean God has stopped doing good. It means He is shifting things around to get them in place for more good, if you will go on loving Him.
I don't know how many times I literally hear this. It's the worst pun in the world from some idiotic frat guy. It's like, 'You must be 'Jealous' of Nick!' Constantly! It's like, why? He's doing his thing. I'm doing mine! He's happy. I'm happy.
'How' is a great thing to know. 'Why' is the ultimate. I'm the 'why' coach. Why are we doing this? Why are we not doing that? Why is this not working? Those are the things I want to know.
One of my biggest pet peeves is that I just don't like it when characters do things that are funny to the writer, but you don't know why they're doing it and it doesn't make any sense.
I can't imagine a life without thinking, doing art. I don't feel any need to be a world traveler or an adventurer. I'm very happy doing what I'm doing. I think somehow I know that I should have a larger vision of art, but I can't think of what that would be.
I aspired to be a writer and then I just started getting acting work. I really didn't have a direct goal, I just knew I wanted to be in this industry telling stories and doing this for a job. I thought my path was going to be as a writer, but I'm pretty happy doing it as an actor.
But if you're doing something and you don't know why you're doing it, then it's good to reflect on the intentionality behind it.
I'm doing what I like, why wouldn't I be happy? So what if it's not perfect, I don't believe in perfection. Maybe happy's as good as it gets.
My job is to show them clearly what they are doing, and what they are doing wrong on the pitch. To help them know why and understand why, even if you prepare and understand the plan, why you are doing always the same mistakes.
I think that I'm doing my job, and it's nice to be recognized, but I also know that a lot of the people who are happy with me now are not going to be happy with me in four to eight years and that I'm just going to keep doing what I'm doing.
It is in the public interest to know what our governors are up to. If they are up to doing good, then they are only too happy to let us know. When they are up to no good, they want that kept secret.
What interested me the most was that when I [traveled to Europe] I knew what Joseph Beuys was doing, he knew what I was doing, and we both, we just started to talk. How did I know what Daniel Buren was doing, and to an extent, he knew exactly what I was doing? How did everybody know? It's an interesting thing. I'm still fascinated by it because, why is it now, with the Internet and everything else, you get whole groups of artists who have chosen to be regional? They really are only with the people they went to school with.
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