A Quote by Yanni

Well, besides being entertained, I’d like to move them emotionally. I mean I really want to uplift them. I want to look down at the audience, and this is personal experiences now I’m going to tell you. It’s like you look down at the audience and see people smiling, crying, hugging each other. I want them on their way home to feel empowered like they can do anything.
When I have an exhibition, I usually arrange it so that if people want to, they can spend two hours there. That way, people who like it don't feel cheated when they go. I want them to walk into the exhibition space and look low and at other levels and angles. The same with emotions. I want them to be emotionally manipulated, to come out feeling something. I want them to laugh, smile, feel sad. Even if they feel angry, that's okay.
I never look at twists as a way to trick the audience. Obviously, I think a good story has surprises and unexpected turns, and you always want to do that with an audience. But it has nothing to do with conning them or making them believe so strongly in one thing and then kind of going the other way.
Some people have a phobia of midgets. They're, like, scared of them. I have the opposite - I see them, and I want to hold them down, cuddle them, be like, 'Come here, you little nugget. Who's your mommy now?' So cute!
I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
You've got to honor your relationship with your audience - that they sit down because they want to be entertained. And that doesn't mean you can't provoke them and antagonize them and challenge them in the course of the entertainment as long as you keep the entertainment part of the equation alive.
I look at an audience kind of like meeting my in-laws for the first time. You want to be yourself, but you still want to be somebody that they like. When I go on the stage each night, I try my best to outguess my audience.
I think it is very important that you like yourself for who you are and not want to look like anyone else. You also have to understand, many people have had cosmetic surgeries in order to look the way they look. So why look like them when you can just look like you? And there is nothing wrong with looking like you.
Sure, kids want to read whatever is the hot book, and of course they want to read fantasy and any kind of speculative fiction, but they also like to read stories with kids that look just like them, that have the same problems as them. And I've noticed that what they particularly want to see is to see those characters prevail. So they don't want sanitized situations. They want stories to be raw, they want them to be gritty, but they also do want to see the hope at the end of the story.
I just really care about what people see. I want them to know that I'm working hard for this. The artists that I look up to like, you know, Michael, Prince, James Brown. You watch them and you understand that they're paying attention to the details of their art. And they care so much about what they're wearing, about how they're moving, about how they're making the audience feel. They're not phoning it in. They're going up there to murder anybody that performs after them or performs before them. That's what I've watched my whole life and admired.
You know, I think what the American people want more than anything else right now is someone who's just going to look them in the eye and tell them the truth, even some truths that they don't like. And - but they have to believe the person's speaking from their heart and are authentic.
I didn't feel like gymnastics were part of The Cars. I certainly philosophically didn't want to prod the audience to react to anything. To me, it was more like negative theater. We didn't really talk to the audience. I didn't see that being a part of this band.
No matter what as an artist that's always what you want to do, you want to connect to the audience, you want to be able to send whatever message it is that you're singing about, you want to be able to convey that - and not make them feel - you want them to feel it, you want them to feel what you feel.
I must say, I am thrilled with my fan base. For some reason some of them are quite young, so they are quite frightened. I remember when I did 'Click' and I'd see Adam Sandler's fan base. He's the guy that people feel that he's their best friend, so he's walking down the street and people sort of high five him and want to tell him a joke or invite him to come home and have a sandwich with them. Mine are not like that. Mine tend to go: 'Argh,' and look horrified. They shake and take a picture from a really long way away. I do feel I've got quite good, respectful ones though.
I feel like I've had very few bad experiences but even those I look back on and really feel like if it weren't for them, I wouldn't be where I am. I look back on them all the time and constantly feel like I owe it to the other projects that I've made that have gotten me to where I am.
You can't go home and look at your plaques at the end of the day, because every politician has like a million plaques on their wall. OK? You don't go home and look at - you don't get anything for that. And you can't go home and say, boy, I really served the Democratic Party or the Republican Party. You want to go home and, you know, Fourth of July, you know, any of these special holidays that recognize our country, you want to feel like you've built a stronger nation, which means you helped build the people and put them in a stronger place where everyone's lifted.
I don't want to change. I don't ever want to be a stuck-up asshole. I mean, some people probably think I am now, but I don't care what they think, because I know I'm not. I'm a down to earth person. I always have time for my fans. I don't care who they are, what they look like, if they're rich or poor, pretty or ugly. I always have time for them. I wouldn't be where I am today if it wasn't for them, and I'll never forget that.
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