A Quote by Yanni

Truth is the number one element in whatever you do with music. — © Yanni
Truth is the number one element in whatever you do with music.
All conventional wisdom has an element of truth to it, but good design requires more than an element of truth - it requires an ensemble of correct assumptions and valid calculations.
One of the problems of truth being censored for a really long time is that people lose the ability to intuit what truth might be, and therefore begin to swallow whatever they're fed. I think that's something that the Chinese have learned very well. They've even managed to persuade quite large segments of the population that the martyrs of Tiananmen were actually an anti-national element. People don't view them as heroes, they see them as troublemakers. There you have a combination of censorship of truth creating a new truth, which is the lie, but it's not seen as such.
I think a lot of artists get confused when people like their music; they think that means people know and like them. I'm sure there's an element of truth to that, but to me, the music I make is what I'm most proud of. I prefer to focus on that and for people to focus on the music, too.
Opera is the original marriage of words and music, and there's a theatre element, a dramatic element. It's right up my alley.
If you think you are only strong if you can lift a certain number, whatever that number is, you will feel pretty weak most of the time. Strength is not a data point; it’s not a number. It’s an attitude.
Polyphonic painting is superior to music in that there, the time element becomes a spatial element. The notion of simultaneity stands out even more richly.
As far as my single selections, over the years it's been a very essential part of my survival tactic, but I have no problem being able to jump on records with whoever people think is the rawest rapper in the game or number one or King or whatever they wanna name themselves, to be honest with you. It doesn't affect me, 'cause that's what I come from; I'm comfortable in that zone. But I don't wanna make hood music, I don't wanna make street music, I want to make world music, global music, international music.
There is a documentary element in my films, a very strong documentary element, but by documentary element, I mean an element that's out of control, that's not controlled by me. And that element is the words, the language that people use, what they say in an interview. They're not written, not rehearsed. It's spontaneous, extemporaneous material. People
In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.
There's that kind of song, "Whoah baby, I love you," which doesn't have a visual element, but a very strong emotional element, and these are the great songs to me - those ones that you put them on and they just make you feel great, or whatever.
When you listen to the music in this film [Despicable Me], it's working on the level of melody, but the other key element is lyrics. There are a number of songs in the film where the lyrics themselves are very much speaking to the essence of what Ted Geisel was setting out to do.
One day I changed my cell phone number, but the guy at the UFC in charge of the music didn't know. So he was texting that fan who had my old number, thinking it was me. The fan was selecting my music.
Country is bringing in a little rock element... a little '80s element. Melody is king now. But its just in the music, its not so much in the songwriting, which is still very basic to the storytelling aspect of it.
There is a distinction between fact and truth. Truth has an element of revelation about it. If something is true, it does more than strike one as merely being so.
The detail adds an element of unexpected something. All fiction is false; what makes it convincing is that it runs alongside the truth. The real world has lots of incidental details, so a painting also has to have that element of imperfection and irregularity, those incidental details.
That would be something I would stress the most to any artist - is, number one, don't ever allow, you know, success or whatever you want to call it to determine your worth as an artist or as a person. That's number one. And number two, do it because you love it.
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