A Quote by Yanni

With instrumental music, it is traditionally hard to get exposure. — © Yanni
With instrumental music, it is traditionally hard to get exposure.
It's a despicable world we're living in now. It's the most disgusting time for music in terms of big wigs, guys who like playing the game. It's hard to get your stuff heard. I find it really annoying actually. I think my music would appeal to a lot of people but being on Warp in the States it's really hard to get radio play and exposure. We need to push this internet revolution forward quickly.
I dread naming pieces of music because being instrumental, most of the time the songs that I write are instrumental, I want the listener to make up their own story as to what it is and get the emotion pure without using logic.
You look back, and it was important to bring back instrumental music, and it was great to be a part of that wave of instrumental rock music. And clearly it was something I was destined to do.
It's hard to get a start as an instrumental guitar player. It's a much quicker route to be in a band, so I was always in a band and writing songs with singers, but I always had the dream in the back of my mind to make an instrumental record.
It's always made me feel odd when I'd get a Dove Award for an instrumental album that has nothing to do with gospel. When I think of gospel music, I think of spreading the Good News with words. But maybe it's just because I was heralded once upon a time as one of theirs. The category of instrumental music seems sort of important to the big picture, but I felt a little embarrassed at the same time.
It's hard to put my music in a specific genre, but if you had to, "instrumental cyber metal" would be an accurate one.
After all my years of doing instrumental music I still like just a simple instrumental song with a nice catchy melody and an opportunity to play a solo over a harmonic structure.
As a musician, as a horn player, sometimes I even get bored listening to all instrumental music.
The Chili Peppers do a lot of improvising, but it's within the framework of song structures. The Meatbats is from a purely instrumental standpoint. But when you hear the term 'instrumental music' you think it's real serious stuff and everybody's playing a million notes and it's about playing fast. That's not what we do.
I believe that being on that show [the Voice] and getting the exposure opened the door for me to get my name and music outside of Texas and the markets I was used to playing in. One of the bigger things that came about from being on the show was that I got on with Paradigm Booking Agency; one of my earlier problems was how hard it is to get booked if you don't have a good booking agency.
I was trying to actively get away from music, I guess. But I recorded a whole bunch of instrumental piano songs.
There is a lot of music in the world that I love that does not always get the appropriate exposure.
Work hard, not in grunt work, but in chasing such opportunities and maximizing exposure to them. This makes living in big cities invaluable because you increase the odds of serendipitous encounters-you gain exposure to the envelope of serendipity.
I usually listen to surf music, not much instrumental music, and when I was younger I listened to jazz.
I probably listen to more instrumental music than music with lyrics, but at the same time I do love both.
No matter what I do, I've always recognized that Deep Purple is primarily an instrumental band. That's where all the music comes from in rehearsals - it all stems from the music.
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