A Quote by Yannick Bisson

We are really seeing how we are reaching into people's lives at home and engaging them as a family through this cultural experience that is the 'Murdoch Mysteries.' — © Yannick Bisson
We are really seeing how we are reaching into people's lives at home and engaging them as a family through this cultural experience that is the 'Murdoch Mysteries.'
I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
People have libraries at home, they have bookshelves, they have CDs. And they sort of try, people try to bring great artists into their lives, into their physical houses and sort of live with portions of them. But they're not really deeply engaging with them.
I think that I am seeing the Internet and seeing technology take and seeing how the work I do through music directly affects people's lives better than any politician I've ever met.
It's not what you go through, but how that experience affects you. For some people, it could be a near car crash that changes your life. For other people, it could take five years of going to prison for them to realize they need change in their life. So it's not really the experience but more how the experience affects you.
I just feel like it's fascinating to me just watching my own family, seeing my cousins have children here, seeing the generations go on, and seeing how people are still very connected to their home, but are actually, of course, Americans too. That sort of a hybrided sense of self is something that I yearn to see more of expressed.
We tour, we do the distance from friends and family, not really knowing how to connect with people on the same level. I've understood now, as much as we tour, we live day-to-day, so our lives are much different than the people who stay at home and go home every night.
We're seeing how the videos translate to the live shows and how the technology is really reaching kids.
The German experience, as you can see, did move me very much. Seeing that terrible destruction and seeing the miserable state of the people, how they had been beaten down by the war through no fault of their own probably.
I don't really know how my family and friends will react to seeing me on screen in a cinema. I'm sure it'll be an odd experience for them, just like I'm sure it will be for me.
Seeing other people is incredibly engaging, and that's one of the drivers that made us partner with Facebook - social communication. Not social newsfeeds, but actual face-to-face, seeing multiple avatars in a play experience, that's going to be a very big part of the future in VR.
Seeing someone you know be good at something is really appealing. Seeing how Darren Aronofsky behaved on set, it was another aspect of him, the director. He'd never directed me at home in the kitchen before. It was just seeing a whole other aspect of someone. It was really, really exciting. I loved it.
Rupert Murdoch gave up his Australian citizenship in order to buy television stations in the United States, which is symptomatic of the way Murdoch operates. Everything is for sale, including his birthright. The Mirror is not read by soccer hooligans. It's read by ordinary people of this country. That comment is simply patronizing. But to be criticized by the Moonies and Murdoch in one breath is really just a fine moment for me.
I've been given an opportunity to greatly impact people's lives through music. I want people to truly experience my heart, to connect with them on an emotional level and sing songs that bring meaning to their lives.
Really it becomes a question of architecture. How do you move people through a space and allow them to have an experience? I, probably more than most people, suffer from museum fatigue. I always want to just stay still or sit in a chair and look at one thing, but that's not the experience of the museum.
Through the years, I have been overwhelmed by the number of people who have shared how much they relate to my 'Sordid Lives' family, and how many gay men and women used it to come out to their conservative families through the humor of the film.
We don't really go in for big family dinners, but Scottish people are famously confrontational. It's a cultural thing, so maybe we don't need to have them to clear the air. Also, traditional family food isn't as nice here so there's no payoff for traveling hundreds of miles.
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