A Quote by Yasmin Mogahed

Don't expect your spouse to be perfect. He/she is only the dunya version of themselves. Their 'perfect' version is saved for jennah. — © Yasmin Mogahed
Don't expect your spouse to be perfect. He/she is only the dunya version of themselves. Their 'perfect' version is saved for jennah.
I didn’t and don’t want to be a ‘feminine’ version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
When you look back on things, your version is always perfect.
I was an enormous fan of Dan Slott's run, and John Byrne's run was a big deal for me. I found Slott's version of 'She-Hulk' first, and then I went back and looked up some of the older stuff because I liked it so much. And it was so good. It was perfect. It was my perfect comic book at the time that I found it.
Being the offspring of English teachers is a mixed blessing. When the film star says to you, on the air, 'It was a perfect script for she and I,' inside your head you hear, in the sarcastic voice of your late father, 'Perfect for she, eh? And perfect for I, also?'
I feel like writing a book there's always a version in your head that's an amazing version, but then you write the version that you can write.
Your stage persona is usually a version of yourself, to varying degrees. Some folks do a full-on character, so that's different. But most comics do some version of themselves.
I don't think I can be perfect, but I think I can be close to perfect if I continue to prepare and continue to do everything in my power to be the best version of myself.
I think what women are doing to themselves is that they're seeing these different images of perfection - the perfect wife, the perfect mother, the perfect career person, the perfect movie star - and they're somehow thinking that they should be all of these things, and that's the problem.
t.A.T.u. did a Russian version of 'All The Things She Said' and it was even better than the English version!
A good story isn't the one that shuts everyone down and sort of leaves them in silent awe. A good story is one that, even before you finish the anecdote, you can see their eyes shining because it has so resonated with something from their own lives that everyone in the group has a version of the same story and they cannot wait to tell it, and that they're going to compete to make their version even more extreme than your version. So your version is just a seed.
I think happiness really happens when you least expect it: it's when you're not really thinking about it, when you're not trying to achieve it, when you're not trying to get the perfect holiday, the perfect life, the perfect body, the perfect existence.
I think that if you are sticking to the text, essentially, you're not trying to write your own version of it. I mean, of course, it is your own version of it. And every translator would probably have a different version. But I think that that's what keeps the writers from being individual in English. They may be my English, but I don't think that Ferrante sounds like Levi.
Part of the problem is when we bring in a new technology we expect it to be perfect in a way that we don't expect the world that we're familiar with to be perfect.
I always really curious to see how people interpret things. I know my version, and I'm kind of bored with my version so I want to see their version.
Women innately have this weird thing where they try to have a perfect persona - to look perfect, be perfect, act perfect, have their kids look a certain way. Women put so much pressure on themselves.
A book is a version of the world. If you do not like it, ignore it; or offer your own version in return.
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