A Quote by Yasmin Paige
I wanted to go to university and experience something that I felt like I'd missed. I wanted to be around bright, intelligent young people who were learning about themselves.
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I think from the very beginning with 'We Are Young,' there was never any question about where we wanted the song to go and what we wanted it to sound like. And we knew that we wanted it to be big, we wanted it to be booming over the speakers at an arena or something.
Do you remember A Wrinkle in Time? It's a good one example. I think the character's name is Meg. I just remember she was a very logical, intelligent, advanced girl. I wouldn't say that I felt like that was who I was, but I wanted to be around her; I wanted to be like her. She had an understanding of science and was incredibly curious - an interesting, complex young girl.
I was 18, and I either wanted to go to university in the States, and experience it like how it is in the movies - you know, date a cheerleader, be the coolest guy on campus - or I wanted to take a year and focus on what I wanted to do. I got into all the universities I applied to, but I took a year off anyway and said, let's see what happens.
Collaboration is something I missed at one point in The Shins. I really wanted to have that experience again, you know, not having everything rely on me. I wanted to have a partner.
I have an older brother and an older sister - and they had the time of their lives at university. They were at Newcastle and Edinburgh. Looking up to them the whole time, I wanted to go to university and live the life they were living, having a blast, and I didn't get in. I didn't get into any of the universities I wanted to go to.
It felt really nice to not have anybody talking about numbers, and no one is talking about ratings. From my experience, it felt like there was one person running the ship and it felt like there was space for Jenji to be at the helm. That's not what I've experienced in television before. It felt more akin to an interesting movie, where there were producers who were really excited by the work and wanted to make space for the director's vision to be sort of shared with an audience. It felt more cohesive.
I wanted to be a war reporter - scrabbling around, exposing things. I didn't want to go to university, I wanted to get a job, but Auntie Beryl said I should go to Oxford.
Some of the guys I played with .. didn't go around learning more about their instruments from an intellectual point of view. All they wanted was to play hot jazz, and the instrument was just a means. I'd imagine that a lot of them criticized me-said my technique was too good. Something like that. But I've always wanted to know what made music. How you do it, and why it sounds good. I always practiced, worked like hell.
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for, in a way. They wanted it to be something special. None of us were really known then, as well. It felt like a big deal, at the time.
I feel like the experience I gained at university has really helped to inform me as far as who I wanted to become as an actor and what I wanted to do.
Around 17 to 20 years, I became, myself, a poacher. And I wanted to do it, because - I believed - to continue my studies. I wanted to go to university, but my father was poor, my uncle even. So, I did it. And for three to four years, I went to university. For three times, I applied to biomedical science, to be a doctor. I didn't succeed.
I feel like, when the audience connects with something, they enjoy the experience so much that they want other people to go have it. They're like, "Don't talk about it. Don't tell. Just go!" It's a nice feeling to have people coming around it that way, protecting the ideas in it, so that everyone can see it for themselves.
I will say they were horrified when I wanted to be an actor. It wasn't a showbiz-y family, and my parents are real introverts who don't go to a lot of Hollywood parties and are most comfortable in their pajamas in our sweet little home. Part of the reason I wanted to be an actor and not just a writer is because I felt much more extroverted than that - I love to be around people, and feed off people's energy, and collaborations. If I hadn't had their example, I wouldn't have been so serious, but I also wouldn't have wanted so much to find another creative outlet.
I was the kind of person who knew what he wanted to do; I wanted to write, I wanted not to be in school, and I felt that university would just be spending another four years of my life before I could write.
Creating emotion was what my career was all about. I wanted people to laugh at me; I wanted people to cry with me. I wanted people to feel good or to think about something when they watched me. I think that's why, even not being an Olympic champion, I have such a huge following around the world.
When you have a young kid you can't go out much at night, so I spent a lot of time at home, watching movies and cooking dinner with my wife. It felt like what most people experience. White picket fence stuff.So there was some enjoyment of that normalcy, but I have to admit that part of me missed the chaos of touring. I think it's about balance.
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