A Quote by Yasmine Hamdan

I have a sense of mission in a way. I've always worked on being free, as a woman and as an artist. — © Yasmine Hamdan
I have a sense of mission in a way. I've always worked on being free, as a woman and as an artist.
I believed in myself, and I've always worked very, very hard as an artist, and I am an artist in every sense of the word.
We woman suffragists have a great mission - the greatest mission the world has ever known. It is to free half the human race, and through that freedom to save the rest.
I loved being a SEAL. I loved working with those kind of guys and a sense of mission, and Blackwater was started to continue that sense of mission.
The woman who needs to create works of art is born with a kind of psychic tension in her which drives her unmercifully to find a way to balance, to make herself whole. Every human being has this need: in the artist it is mandatory. Unable to fulfill it, he goes mad. But when the artist is a woman she fulfills it at the expense of herself as a woman.
I have a general sense of mission, and I intuitively know when something is influencing that mission. I think this is what I'm supposed to be doing. Doors keep opening. In the end, it's the best use of my skills. I've finally consented to the idea that I'm an artist.
My dad was always such a frustrated artist. He always worked very hard to support his family, doing a bunch of ridiculous jobs. He wanted to be a painter, but then he also wrote science-fiction novels in his spare time. He was always so frustrated having to work to support the family that I was like, I'm never going to do that. I don't want to just be working a menial job to support my family and dreaming of being an artist. We learn from our fathers in that way.
The single woman is a free woman, and being single does not mean being alone - it means being free to have a relationship or not. This can be scary, but it's also very interesting.
The idea of being given things that you don't necessarily deserve was always a difficult one for me to negotiate, and so I really always felt that I had to prove myself. Being the daughter of a famous man I guess is more easy than being the daughter of a famous woman, but at the same time there was a sense of really, with me, of wanting to earn my own way.
I am a serious artist in my own right, in the sense that I've spent my entire life being an artist and trying to be an artist and making work.
I think being tortured as a virtue is a kind of antiquated sense of what it is to be an artist. It comes out of that Symbolist idea, back to Rimbaud and all that disordering of the senses and all of that being some exalted state. When I've been that way, I've always been less exalted than I would have liked.
Art is a kind of innate drive that seizes a human being and makes him its instrument. The artist is not a person endowed with free will who seeks his own ends, but one who allows art to realize its purpose through him. As a human being he may have moods and a will and personal aims, but as an artist he is "man" in a higher sense— he is "collective man"— one who carries and shapes the unconscious, psychic forms of mankind.
You can't always do that which you can do in your sleep. That doesn't fulfill an artist. You're looking for places where you can grow, in some way, whether it's a large way or a small way. I want to grow as an artist, as a person and as a woman. I want to enjoy myself and my life and the company that I'm keeping. I want to bring something to the table that's different than anything else would bring, but that has its place and value, and then keep moving.
There's an idea that it's hard to be a woman artist. People assume that women have fewer opportunities, less power. But it's not any harder to be a woman artist than to be a male artist. We all take what we are given and use the parts of ourselves that feed the work. We make our way. Photographers, men and women, are particularly lucky. Photography lets you find yourself. It is a passport to people and places and to possibilities.
In fashion, of course, the way that women are dressed now - and also a vision of the modern woman, the woman of today. She's very feminine, but at the same time, extremely free. A Saint Laurent woman is actually very Parisian. She's not really a man's equal, she's his adversary. I worked on the catwalk with two models who worked with Yves Saint Laurent for more than 10 years. They're not just gorgeous models, they're more than that - they're very smart and very beautiful. They're more than models, they're really unique; it's personality. It's more than just fashion.
I am very much a woman, but I never consider that I am when I go and make films. I don't check into the world as a woman everyday. I check in first as an artist and mother, then as a daughter sister, and friend - but always as an artist.
I love making up visual works of art in language. I get to be an artist without actually being an artist in that sense.
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