A Quote by Yasmine Hamdan
It's interesting to be at once an insider and outsider. It's a way of learning how to find your way freely without the need of conforming or belonging.
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Such is the nature of an expatriate life. Stripped of romance, perhaps that's what being an expat is all about: a sense of not wholly belonging. [...] The insider-outsider dichotomy gives life a degree of tension. Not of a needling, negative variety but rather a keep-on-your-toes sort of tension that can plunge or peak with sudden rushes of love or anger. Learning to recognise and interpret cultural behaviour is a vital step forward for expats anywhere, but it doesn't mean that you grow to appreciate all the differences.
He'd once told me that the art of getting ahead in New York was based on learning how to express dissatisfaction in an interesting way. The air was full of rage and complaint. People had no tolerance for your particular hardship unless you knew how to entertain them with it.
The focus of my playing is the groove, and every time I find a new rhythm, I find I can write a bunch of new songs. Learning how to dance, or drum, or to swing my body in a new way is the fundamental way I find a new riff. Because when you learn to swing your body in a new way, you begin to swing with your instrument differently.
I'm learning to play by the rules. I sort of hate to think of it that way, but that's how it is. I'm really learning to function out there and in such a way that I don't need to drink.
Sometimes I fantasize about learning to write in Khmer. Because if I could write in Khmer, my perspective would be very different, because I'm both an outsider and insider and I see the writing in a different way. My description would be different from, say, a local writer.
The endeavor of being a foreign correspondent means that you will never be their equal. And that has its pros and cons. Were you to be an insider in a particular society, then you would be one of them, and the way you would write about that society would be very different. When you're brought up in a certain way, you have certain blind spots to the things going on in your culture. There is an illumination the outsider brings to a place or a situation that cannot be duplicated.
One of my teachers once said that the way you know you're on the right path is that it works. Now, that doesn't mean you don't run into blocks and brick walls, but it does mean that you can find a way around them or find a way to change yourself or your project in order to find the flow again and have it work.
I heard once that I'm considering having liposuction. And the reason I find that so ridiculous is I've gone out of my way to train really hard the last eight months. I want to prove you don't need surgery, you don't need steroids and you don't even need to diet. I've lost over a stone and that's all been down to good old-fashioned exercise. Once your metabolism gets going you can enjoy your life.
I am a great believer in what we've been told time and time again by people like Joseph Campbell, "find your bliss." Find out what it is that touches you most deeply. Pursue it, learn about it, explore it, expand on it. Live with it and nurture it. Find your own way and make your own contribution. Find a way to make a contribution to this society because God knows we need contributions from the coming generation. This planet and this civilization is in need. I see it as a time of need.
I became really absorbed but again I was at that point - and I still remain today - an outsider who has no interest in becoming an insider, let alone in what that insider perspective on [Buckminster Fuller] has come to be and come to represent.
I always think it's interesting to switch genres, because if I read a script and I know exactly how to manifest a story, I don't really want to do it anymore, because I've already done it in my head. It becomes less interesting. If I read something that's challenging, I get really passionate and usually fall in love with it, because I feel I need to do it. I need to tell the story; I need to find a way to make it happen.
There is a norm, there is a model of the way things are supposed to be. When you find yourself outside of that, when you find yourself not fitting the way things are designed to be, it's a simple matter of just learning how you ought to be and working to restore the way things are supposed to be.
The lessons you are meant to learn are in your work. To see them, you need only look at the work clearly - without judgment, without need or fear, without wishes or hopes. Without emotional expectations. Ask your work what it needs, not what you need. Then set aside your fears and listen, the way a good parent listens to a child
Most writers begin with accounts of their first home, their family, and the town, often from quite a hostile point of view-love/hate, let's say. In a way, this stepping outside, in an attempt to judge enough to create a duplicate of it, makes you an outsider. . . . I think it's healthy for a writer to feel like an outsider. If you feel like an insider you get committed to a partisan view, you begin to defend interests, so you wind up not really empathizing with all mankind.
To bring up a child in the way he should go, travel that way yourself once in a while. Your children need your presence more than your presents.
Finding your voice is something you have to keep working at. Your voice as a comic evolves the same way that you evolve. You have to find out what works for you. How can you express your opinion, your take on the situations in a way that feels natural to you? That's where you find your voice.
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