A Quote by Yayoi Kusama

There were times in the past that I got angry at some members of the press whose writings greatly disrupted my serious pursuit of art and my behavior as an artist. — © Yayoi Kusama
There were times in the past that I got angry at some members of the press whose writings greatly disrupted my serious pursuit of art and my behavior as an artist.
There are many critics whose work I greatly admire. Even though I diverge from T.J. Reed in several important ways, I've learned greatly from his writings on Mann.
Serious art has been the work of individual artists whose art has had nothing to do with 'style' because they were not in the least connected with the style or the needs of the masses. Their works arose rather in defiance of their times.
Serious art has been the work of individual artists whose art has had nothing to do with style because they were not in the least connected with the style or the needs of the masses. Their work arose rather in defiance of their times.
All industries are brought under the control of such people [film producers] by Capitalism. If the capitalists let themselves be seduced from their pursuit of profits to the enchantments of art, they would be bankrupt before they knew where they were. You cannot combine the pursuit of money with the pursuit of art.
Art thou angry with him whose armpits stink? Art thou angry with him whose mouth smells foul?
The internationalization of art becomes a factor contributing to the estrangement of art from the artist. The sum of works of all times and places stands against him as an entity with objectives and values of its own. In turn, since becoming aware of the organized body of artworks as the obstacle to his own aesthetic self-affirmation, the artist is pushed toward anti-intellectualism and willful dismissal of the art of the past.
The trouble with science fiction is that you can write about everything: time, space, all the future, all the past, all of the universe, any kind of creature imaginable. That's too big. It provides no focus for the artist. An artist needs, in order to function, some narrowing of focus. Usually, in the history of art, the narrower the focus in which the artist is forced to work, the greater the art.
As past presidents of the Liberal Party, we deeply regret and are greatly saddened by the precipitate action by some party officers and members at the Manila Hotel.
To be a colored man in America ... and enjoy it, you must be greatly daring, greatly stolid, greatly humorous and greatly sensitive. And at all times a philosopher.
As a young artist working in multiple mediums, the work and especially the writings of artist Laszlo Moholy-Nagy were very important to me.
I think it's what any artist would want: to feel like their work can be taken in on a level of experience beyond the headline or the press release. I don't think any artist wants to be reduced to a press release. We have a whole industry whose function it is to process and present information. There's nothing wrong with it, but it's not the thing.
The Bible is a collection of writings by lots of different people written over maybe a thousand years, from a number of centuries before Jesus to a century after Jesus. I often like to refer to it as "the Scriptures" to make that point about it being lots of writings that were originally separate. What these writings have in common is that "the Old Testament" is writings that grabbed the Jewish people; writings that convinced them that they were God's word to them. And "the New Testament" is writings that grabbed people who believed in Jesus in the same way.
We had seen the way the print industry had been disrupted; we'd seen how the audio industry got disrupted, so it just seemed like a natural progression that video was next. We thought we were late to the game in 2003.
Who were my mentors in poetry and literature? This is a matter of opinion. Some see in my books the influences of authors whose names, in my ignorance, I have not even heard, while others see the influences of poets whose names I have heard but whose writings I have not read. And what is my opinion? From whom did I receive nurture? Not every man remembers the name of the cow which supplied him with each drop of milk he has drunk.
To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was.
To me, James Harden is like basketball's Picasso - he's an artist whose work you respect, even if you don't always understand its significance until later. (Or maybe Van Gogh or some other artist - I'm not an art history buff, but you get my point).
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