A Quote by Yayoi Kusama
People ask about art and commercialism. I think that if someone tries to sell their work at a high price, that is the wrong way of doing it.
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The price we sell things for is not important. What is important is we sell art that has to be replaced. You become good in art by doing art. The more you sell, the more you must produce.
If something seems possible, that's probably because someone is already doing it. When something seems that it can't possibly work, nobody tries it. Real innovation happens when someone tries anyway, overlooking an obvious flaw, and finds a way to make an idea work.
What's the level of compromise for making that kind of money? How far do I have to sell my soul? What's the price of that? And I don't know if I want to make those kind of compromises any more. I think I'm a different person. I think I've matured to a great extent. I think that I want different things now. That it's not about the celebrity status that you receive because you're doing the next hot movie. It's about doing good work.
I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.
I think everyone should sell whatever product they want to sell for whatever price they want to sell it for, but ultimately the market will dictate what it is and people will have to charge less money for everything. Record companies have been overcharging people for way too long and now this is the trouble that they're in.
?"But that's the price we have to pay for stability. You've got to choose between happiness and what people used to call high art. We've sacrificed the high art.
One clear difference between art and commercial work is that commercial work is exploitive: the work may be high quality but the intention is to sell product or tickets. Art exists with or without ticket sales.
I think we've all been in the middle of doing something we cared about, when someone coming in the room and saying 'hello' was annoying. I personally can understand that, as someone who tries to create.
If you're going to sell stock and somebody wants to buy it at a price and that price is not a price you dictate, but demand dictates, sell it to them now.
Photographers do themselves a disservice by talking too much about the equipment they use. Consequently people don't take them seriously as creators in their own right. When people talk to writers about their work, they ask about their ideas and inspirations. When they talk to photographers, they ask about what cameras or film they use. That's wrong - as wrong as asking a writer what pencil and laptop he uses.
When you see someone as a human being, you begin to understand most people are doing what they believe is right. I ask myself, "What if you were wrong? How would you want someone to engage with you?"
My biggest goal was - I thought, God, if I could just be a rep company member at the Arena Stage in Washington, D. C. and get to play a bunch of parts in a year! And now in my work everything is about promoting it. It's not about the doing of it! Everything is: You have to sell it, and they ask you to tweet about it or do photo shoots, even for the smallest job. There's an imbalance in terms of what is actually gratifying. The stuff that is gratifying is, like I said, the day of work and the doing of it.
I think acting's very natural. It comes from a place of honesty, and if someone tries to teach you their way of doing it, that could be quite damaging.
When people ask me now about why I make art, I think that's what I'm seeking - a moment of transcendence with a piece. Because otherwise you're just in the hustle, you're trying to pay your bills, to do this and that, and then there's that unique moment, when you're not thinking about the market, or if it's going to sell, and all of that bullshit.
My system works, as long as people let me do my job my way. It is not just the sequence, it is how you do it: the timing, the mirrors, the temperature, the carpet. But if people only do it 99% right, it is 100% wrong. When someone tries to mess with it, the people won't get the yoga benefits.
We typically don't talk about something until we are about to ship. Not just for AI, but for anything: the comparison is generally what we are shipping compared to what someone else is talking about that is going to happen sometime in the future. A lot of people sell futures, I guess, is the way to think about it.
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