A Quote by YBN Nahmir

Everyone was messaging me like, 'Yo, 'Rubbin Off the Paint' goes hard.' Everybody in school knew it. The teachers know my song. — © YBN Nahmir
Everyone was messaging me like, 'Yo, 'Rubbin Off the Paint' goes hard.' Everybody in school knew it. The teachers know my song.
I feel that if I had not had an art program in my school, I would have failed in a big way. My teachers knew I was intelligent, but they didn't quite know how I was ever going to apply that intelligence. The one or two teachers who knew me well knew that it would be through drawing or acting or whatever means of expression I was allowed.
Right away, I knew I didn't want to have that look of other guys with long hair and bell-bottom pants, because everybody else had that look. I kind of adopted my boarding-school look, which made me stand out. Then the next thing you know, the first song on my first record is a song called "School Days." It's about going to the boarding school I went to. So then I just started to write about myself. The very first song I ever wrote was about a guy I met in a boatyard that we were working in. So I've always had this thing about sticking to more or less what I knew.
Like everybody else, I love a good pop song. You know, there's nothing like it. I also just really like music that goes off on extended forays of extrapolation into different areas. So it's kind of nice to be able to move between those two poles.
Do you know what investing for the long run but listening to market news everyday is like? It's like a man walking up a big hill with a yo-yo and keeping his eyes fixed on the yo-yo instead of the hill.
In elementary school, I didn't even play sports, I was just straight up on the juggling team. I started out with the floating scarves. Then I went to tennis balls and all that. Then by like the fourth grade I was doing the Chinese yo-yo. And I was good, man. I was like a master Chinese yo-yo person. I was top five Dead or Alive in South Carolina.
Sometimes I'll write a song first and then I'm like, "Oh this person will be great on this song." But there are some artists I know what want, like off the top I knew I wanted Brandy and Faith Evans. Their music is like the soundtrack to my life, so it was a personal thing for me. So once they said yes, I wrote songs specifically for them.
My family was very notorious in the town that we lived in. Everyone would say, 'There goes those damn Sams.' I didn't want to paint that ill picture of me. I knew the good in my family. They didn't know our background and the adversity we had to endure. I wanted to succeed and be a beacon of hope in my family.
But I knew - in the old days, if a song was a good song, I don't care if it was 'Yellow Submarine' or, you know, or 'The Times They Are a-Changin' or 'Don't Be Cruel', you knew it, you know? You heard that song, and you were talking about it, and you knew it.
People who know my music are like 'Yo, that's Steve G-Lover rapping this 'Paper Boi' song. It's hot. I need this song.' It's funny because the song came about so fast, but the idea had been simmering for a while.
When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.
I'm not saying to the kids yo drop out of school, education is the most important thing first and foremost. You know, my circumstances were a little different. I needed to work to help out so I couldn't be in school. Not only that, it was getting into trouble and all that s**t. I was getting into trouble more in school than I was out of school, so I had to just go ahead and make that adjustment, so I mean realistically I always tell everybody, in my case I don't got a high school diploma, but I have two Grammys so it kinda worked out best for me.
I went to a pretty small school from the beginning all the way up, so I knew everyone, everyone knew me.
You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
I cut the ribbon in Paris, and everyone in Paris speaks French — maybe you knew that. But I'm from Tennessee, and Tennessee girls don't speak French. So suddenly I'm stuck onstage with Minnie and Mickey and everyone is yelling at me in French — I guess they're telling me to get off the stage, but I didn't know what they were saying at the time, so I start dancing with Minnie and Mickey like on the show and finally my aunt comes and gets me off.
I was always being told off at school. The teachers would say: 'Everyone's talking, but you're the one I can hear.
I was always being told off at school. The teachers would say: 'Everyone's talking, but you're the one I can hear.'
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