A Quote by Yehuda Amichai

Every intelligent person, whether he's an artist or not - a mathematician, a doctor, a scientist - possesses a poetic way of seeing and describing the world. — © Yehuda Amichai
Every intelligent person, whether he's an artist or not - a mathematician, a doctor, a scientist - possesses a poetic way of seeing and describing the world.
Every intelligent person, whether hes an artist or not - a mathematician, a doctor, a scientist - possesses a poetic way of seeing and describing the world.
Art and creativity are crucial, whether you're a mathematician, a scientist, or an artist.
We create truths by describing, or by re-describing , our beliefs and observations. Our task, and the task of every artist and scientist, is to re-describe our inherited assumptions and invented fictions in order to create new paradigms for the future.
The clearest way to know whether you are with a poor person in America is not by the logo on the clothes, because we all wear pretty much the same anymore. It's by looking into their eyes and seeing whether they look into yours, and seeing what kind of teeth they have.
What we look for are people that are technically competent. You need a background in a scientific field, whether it's as a scientist, an engineer, medical doctor, or, you know, a person that's in the military with some kind of technical background.
To every problem there is already a solution, whether you know it or not. To every sum in there is already a correct answer, whether the mathematician has found it or not.
As a player, you get to the stage where you realise that you are not 25 anymore - and can't play the way you used to. The intelligent players adapt - and Steven Gerrard has the ability to do that. He is an excellent passer of the ball, possesses an intelligent football brain, and has great vision.
Every artist, every scientist, must decide now where he stands. He has no alternative. There is no standing above the conflict on Olympian heights. There are no impartial observers. Through the destruction, in certain countries, of the greatest of man's literary heritage, through the propagation of false ideas of racial and national superiority, the artist, the scientist, the writer is challenged. The struggle invades the formerly cloistered halls of our universities and other seats of learning. The battlefront is everywhere. There is no sheltered rear.
The shaman is the figure at the beginning of human history that unites the doctor, the scientist and the artist into a single notion of care-giving and creativity.
There's no diploma in the world that declares you as an artist—it's not like becoming a doctor. You can declare yourself an artist and then figure out how to be an artist.
Every artist, every scientist, every writer must decide now where he stands. The artist must take sides. He must elect to fight for freedom or for slavery. I have made my choice. I had no alternative.
The books of the great scientists are gathering dust on the shelves of learned libraries. And rightly so. The scientist addresses an infinitesimal audience of fellow composers. His message is not devoid of universality but its universality is disembodied and anonymous. While the artist's communication is linked forever with its original form, that of the scientist is modified, amplified, fused with the ideas and results of others and melts into the stream of knowledge and ideas which forms our culture. The scientist has in common with the artist only this: that he can find no better retreat from the world than his work and also no stronger link with the world than his work.
A scientist worthy of his name, about all a mathematician, experiences in his work the same impression as an artist; his pleasure is as great and of the same nature.
Mathematical knowledge is not-as all Cambridge men are surely aware-the result of any special gift. It is merely the development of those conceptions of form and number which every human being possesses; and any person of average intellect can make himself a fair mathematician if he will only pay continuous attention; in plain English, think enough about the subject.
As an artist, you don't think about the parabola or the arc you're describing or where you're going to ultimately end up, you're just kind of crawling around, seeing what's out there.
I think you can fan the flames, but I think in the same way that a mathematician is a mathematician - He's not taught to be a mathematician. He either has a feeling for equations and an understanding and delight in it, not only in the purity of it, but in its beauty as well.
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