A Quote by Yelawolf

Where I'm from is like 'Hustle Flow' versus '8 Mile.' It's that really grimy, box-Chevy, dope-boy, working-class music. — © Yelawolf
Where I'm from is like 'Hustle Flow' versus '8 Mile.' It's that really grimy, box-Chevy, dope-boy, working-class music.
Where I'm from is like 'Hustle & Flow' versus '8 Mile.' It's that really grimy, box-Chevy, dope-boy, working-class music.
'Hustle & Flow' came out, and I was really rooting for 'Hustle & Flow' because, you know, it was a hip-hop movie, and it was a good movie. It was well acted.
I didn't like the King's Cross world: it was grimy and dirty. I always envisioned myself in much more romantic and grand surroundings. I never really thought that I belonged to the working-class area at all.
I like to think that my works flow like music. That may be one reason I work in large groups versus one picture of one thing; it's the flow of the whole series that counts.
I've always wanted to work with Klashnekoff. He's been around for years! He's sorta my age but he is dope. The flow, the lyrics, it's just dope music.
'Working Class Man' is my second memoir and is a continuation of my story from where 'Working Class Boy' left off. The book is really an attempt at explaining the impact of my childhood on myself and the ones I loved as an adult.
Chevy Chase had been a bad boy with a drug problem, and had never really realized his potential. Fletch was the first movie he sort of straightened up on. And Michael Ritchie was Harvard-educated, 6'6", a brilliant director and political thinker. He was the guy the studio thought could handle Chevy, and keep him in check. And he could.
I grew up as a dancer, and music and dance are so closely tied that in ballet class, you're listening to all this classical music, and in modern class, you're working with a live drummer. It was something that always made me feel really comfortable, and I've had a connection to since the beginning.
I grew up as a dancer, and music and dance are so closely tied, that in ballet class you're listening to all this classical music, and in modern class you're working with a live drummer. It was something that always made me feel really comfortable and I've had a connection to since the beginning.
If I had to collaborate with anybody on a song, I would pick Kendrick Lamar because he is so dope as an artist and I love his hustle and his passion. He is fearless and the way he comes to the music is like we share the same passion for what we do and with somebody from the West. In my opinion that would be a great collaboration.
I don't take breaks, man. In the past, I used to spend my free time getting in trouble, and now I spend it working on my music. If I'm not playing drums with my cover band, Chevy Metal, I'm working on songs for myself.
As a working-class boy, golf was never really on my radar, and when I was growing up, Irish football was my sporting passion.
One thing I love about America is that I'm not boxed in by my upbringing here. England is still so class-based that there are certain roles that I just won't go for. I'm a middle-class boy and I won't go for the scruffy working-class role, which is frustrating, and here I can play anything.
I am really proud of where me and Ghastly's track 'Crank It' ended up. It was our first music video and big label release. It was such a dope experience working with OWSLA on that record.
Like any working-class boy growing up in north London, I wanted to be a footballer.
I remember when I took the role on E.R., I thought, 'I haven't really been able to play a working class woman. I've played girls, I've played funny, but I haven't played a working class woman. That sounds like something I'd like to do.
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