A Quote by Yelawolf

American music culture is black culture. — © Yelawolf
American music culture is black culture.
We do not have an American culture. We have a white American culture and a black American culture. So when those two groups try to get together, [it's] very difficult because they each feel like they have the right to their culture.
I did not disregard my culture, if I did, it was the white American culture, and I accepted my true culture, when I accepted Mohammed Ali, because this is a black name, Islam is the black man's religion, and so I would like to say, that I would like to clarify that point that I reclaimed my real culture, and that's being a black man and wearing a black name with a black body, and not a white name, so I would never say that I didn't disown my culture.
There is an imagined thing called black culture. But culture is a construction. It is learned behavior, not innate. The black American experience is the American experience.
I was a mixed black girl existing in a westernized Hawaiian culture where petite Asian women were the ideal, in a white culture where black women were furthest from the standard of beauty, in an American culture where trans women of color were invisible.
The impact of black music and black art forms on American culture is really difficult to appreciate.
Explain to me what Italian-American culture is. We've been here 100 years. Isn't Italian-American culture American culture? That's because we're so diverse, in terms of intermarriage.
I'd like to state that Spike Lee is not saying that African American culture is just for black people alone to enjoy and cherish. Culture is for everybody.
We have allowed our youths to buy into a culture (hip hop) that has been perverted, corrupted and overtaken by prison culture. The music, attitude and behavior expressed in this culture is anti-black, anti-education, demeaning, self-destructive, pro-drug dealing and violent.
If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture - not only national culture but global culture.
People ask me why my figures have to be so black. There are a lot of reasons. First, the blackness is a rhetorical device. When we talk about ourselves as a people and as a culture, we talk about black history, black culture, black music. That's the rhetorical position we occupy.
I think people respond to truth. 'Straight Outta Compton' made $60 million over the weekend, right? That's not just a black audience. 'Empire' grew every single week. That's not just a black audience. Black culture is American culture, you know what I mean? They're becoming more and more one in the same.
I was in Paris last year, where there's a great appreciation of many different aspects of African culture and of black culture. The music... the art... whatever... And I kind of went with that.
I want to get into the educational DNA of American culture. I want 10 percent of the common culture, more or less, to be black.
This is more in regards to celebrities. What we've got to understand is that we are the influencers of the hip-hop culture, the black culture. We are the way out, you feel what I'm sayin'? As far as who we look to and where we get stuff from - hip-hop culture is influencing the world, really, but especially the black communities.
'Smart Funny and Black' is basically a live black pop culture game show that I created. We have a live band. We have two contestants that we call 'blacksperts.' They come on stage and compete in games that I've created that test their knowledge of black culture, black history, and the black experience.
...culture is useless unless it is constantly challenged by counter culture. People create culture; culture creates people. It is a two-way street. When people hide behind a culture, you know that's a dead culture.
This site uses cookies to ensure you get the best experience. More info...
Got it!