A Quote by Yelena Isinbayeva
The whole stage was only for me. It was so cool.
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I got to do the movie, and people who enjoyed 'The Birdcage' came out to see me on stage when I did 'Forum.' It introduced me to a whole new audience that wasn't familiar with my stage work.
I grew up watching Lindsay and it made me want to do what she does. Just the whole vibe. Being there, being on camera, or on stage, with everybody listening to you it's so cool when people look up to you. I've already been asked for my autograph and it's just a really good feeling to have.
I had a press conference and I fell down on stage! Because I was in a skirt, dude. And there was this genius on stage and someone told me please sit and I went to sit and he pulled the chair off from under me! I did my whole thing, after that, I was really upset.
Somebody told me about a band that works out their whole set as if it was one song. They learn the whole set as one piece, so they know how the dynamics of it work. It's really difficult to do, and you can only really do it while you're on tour, as being in a rehearsal studio is not the same as being on stage in front of an audience.
The Orient that appears in Orientalism, then, is a system of representations framed by a whole set of forces that brought the Orient into Western learning, Western consciousness, and later, Western empire.... The Orient is the stage on which the whole East is confined. On this stage will appear the figures whose role it is to represent the larger whole from which they emenate. The Orient then seems to be, not an unlimited extension beyond the familiar European world, but rather a closed field, a theatrical stage affixed to Europe.
I'm sure everyone has a cool story behind how they got into Formula One, but, for me, Perth, you know, not only in Australia is it detached, but it's detached from the whole world.
I started doing comedy because that was the only stage that I could find. It was the pure idea of being on stage. That was the only thing that interested me, along with learning the craft and working, and just being in productions with people.
The whole concept of stage fright is fascinating. Actors get stage fright, but they wouldn't be on the stage in the first place if they just succumbed to it. There's this love/hate relationship with the spotlight.
We are fast approaching the stage of the ultimate inversion: the stage where the government is free to do anything it pleases, while the citizens may act only by permission; which is the stage of the darkest periods of human history, the stage of rule by brute force.
I read somewhere that when I go on stage, people realize that they're not me and they feel better. When I walk off the stage, people know who I really am. I'm not saying it's great comedy, cool comedy or better comedy - but that's what I do, and I do it first for myself.
Awkwardness gives me great comfort. I've never been cool, but I've felt cool. I've been in the cool place, but I wasn't really cool - I was trying to pass for hip or cool. It's the awkwardness that's nice.
For me the whole world is like a gigantic theater in which I am the only spectator without opera glasses. The orchestra plays the prelude to the third act, the stage is far away as in a dream, my heart swells with delight—and you want to blind me with a pair of half-ruble spectacles?
Modeling stuff is cool - obviously you get to travel and wear cool clothes, take cool pictures, meet cool people - but for me, acting is a lot more creatively fulfilling, so I've always put it first.
All modesty aside, I think I'm good at reading scripts. The way I read a script is as fast as I can, all in one sitting, and I don't read many of the stage directions. I only read enough stage directions to let me know where I am, because they're always so verbose and mostly horseshit. So I only read the dialogue, which allows me to see the movie in my mind's eye in real time.
I wasn't the cool kid in school, but I wasn't the lame one. I knew I wasn't cool, so I called myself lame, and that's what made me cool in front of the cool kids.
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
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