A Quote by Yevgeny Vakhtangov
The first state an actor experiences onstage is the one he just experienced in life. One needs great courage not to portray this experience. One must surrender entirely to the power of one s artistic nature. It will do all the necessary things. Do not impose any solution upon yourself in advance. The quality to develop in an actor is courage.
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An actor must interpret life, and in order to do so must be willing to accept all the experiences life has to offer. In fact, he must seek out more of life than life puts at his feet. In the short span of his lifetime, an actor must learn all there is to know, experience all there is to experience, or approach that state as closely as possible. He must be superhuman in his efforts to store away in the core of his subconscious everything that he might be called upon to use in the expression of his art.
It is not the courage to be that we must develop as much as the courage to become. We are responsible for our destiny. The meaning of life is not located in some hidden crevice in the womb of nature but is created by free persons, who are aware that they are responsible for their own futures and have the courage to take this project into their own hands.
Courage - you develop courage by doing small things like just as if you wouldn't want to pick up a 100-pound weight without preparing yourself.
I am not a courageous person by nature. I have simply discovered that, at certain key moments in this life, you must find courage in yourself, in order to move forward and live. It is like a muscle and it must be exercised, first a little, and then more and more. All the really exciting things possible during the course of a lifetime require a little more courage than we currently have. A deep breath and a leap.
Sometimes perception is almost more important than the skill level of an actor. And if you give too much away, you have nothing to take for yourself and put onscreen. If people feel like they know you too well, they won't be able to indentify with the character you're trying to portray. Or they'll feel that you're just playing yourself, and then you just become a personality actor. And that's the death of any actor.
Countrymen, the task ahead is great indeed, and heavy is the responsibility; and yet it is a noble and glorious challenge - a challenge which calls for the courage to dream, the courage to believe, the courage to dare, the courage to do, the courage to envision, the courage to fight, the courage to work, the courage to achieve - to achieve the highest excellencies and the fullest greatness of man. Dare we ask for more in life?
Courage can't make you an artist, but without that courage, you won't remain one for long. First is the courage to be alone in the room where you create, and the courage to face that indefinitely, with no one to say if you are any good or not. Then, there is the courage to follow your work wherever it's going to take you. And the courage to fight for your work.
Men are subject to various inconveniences merely through lack of a small share of courage, which is a quality very necessary in the common occurrences of life, as well as in a battle. How many impertinences do we daily suffer with great uneasiness, because we have not courage enough to discover our dislike.
I always thought on my own that what is a huge part of being an actor, or what made me a better actor, was just really living life. Not being closed in on life, but being more open to experiences and to people and taking risks and exposing yourself to things.
Students teach all sorts of things but most importantly they make explicit the courage that it takes to be a learner, the courage it takes to open yourself to the transformative power of real learning and that courage I am exposed to almost every day at MIT and that I'm deeply grateful for.
You need courage to be creative. You need the courage to see things differently, courage to go against the crowd, courage to take a different approach, courage to stand alone, if you have to, courage to choose activity over inactivity.
The first quality of courage is the willingness to launch with no guarantees. The second quality of courage is the ability to endure when there is no success in sight.
Really, one of us ought to have the courage to call the experiment off and shoulder the responsibility for the decision, but the majority reckons that that kind of courage would be a sign of cowardice, and the first step in a retreat. They think it would mean an undignified surrender for mankind as if there was any dignity in floundering and drowning in what we don't understand and never will.
An actor is here to perform. For example, if a character is a Punjabi or a Bihari, and the actor is not, doesn't mean we have to cast an actor from that region. If an actor can perform, they can portray anyone because an actor is here to try different roles.
For the men and women of the FBI, bravery is reflected not only in the physical courage often necessary in the job. It can be seen in the courage of conviction, in the courage to act with wisdom in the face of fear, and in the courage it takes to admit mistakes and move forward.
Courage is a moral quality; it is not a chance gift of nature like an aptitude for games. It is a cold choice between two alternatives, the fixed resolve not to quit; an act of renunciation which must be made not once but many times by the power of the will.
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