A Quote by Yevgeny Yevtushenko

He watched through a crack inside just pretending to be dead he wanted to fix each pallbearer in his memory . . . it seems to me a telephone was installed in the coffin to someone yet again Stalin is sending his instructions.
In Stalin each [Soviet bureaucrat] easily finds himself. But Stalin also finds in each one a small part of his own spirit. Stalin is the personification of the bureaucracy. That is the substance of his political personality.
But pain may be a gift to us. Remember, after all, that pain is one of the ways we register in memory the things that vanish, that are taken away. We fix them in our minds forever by yearning, by pain, by crying out. Pain, the pain that seems unbearable at the time, is memory's first imprinting step, the cornerstone of the temple we erect inside us in memory of the dead. Pain is part of memory, and memory is a God-given gift.
The night is quiet. Like a camp before battle. The city beset by a thing unknown and will it come from forest or sea? The murengers have walled the pale, the gates are shut, but lo the thing's inside and can you guess his shape? Where he's kept or what's the counter of his face? Is he a weaver, bloody shuttle shot through a time warp, a carder of souls from the world's nap? Or a hunter with hounds or do bone horses draw his dead cart through the streets and does he call his trade to each? Dear friend he is not to be dwelt upon for it is by just such wise that he's invited in
Wave to the nice tourists, Sparkle. I promise it won't cause pestilence and firestorms." Elena bit the inside of her cheek at Aodhan's glare-she'd never seen anyone crack his reserved shell. "Sparkle and Bluebell, nice." "Never," Aodhan said, hands stubbornly on the girder, "ever repeat that. Illium seems to have forgotten I promised to separate his tongue from his mouth should he utter it again in this immortal lifetime.
I wanted to make a human monster. His name is Coffin Baby. The idea is based on a group of people from Pasadena whose names I can't mention. His mother died and during the funeral, this baby came out of her in the coffin.
I wanted to make a human monster. His name is Coffin Baby. The idea is based on a group of people from Pasadena whose names I can't mention. His mother died and during the funeral, this baby came out of her in the coffin
Everything was red, the air, the sun, whatever I looked at. Except for him. I fell in love with someone who was human. I watched him walk through the hills and come back in the evening when his work was through. I saw things no woman would see: that he knew how to cry, that he was alone. I cast myself at him, like a fool, but he didn't see me. And then one day he noticed I was beautiful and he wanted me. He broke me off and took me with him, in his hands, and I didn't care that I was dying until I actually was.
When my husband had an affair with someone else I watched his eyes glaze over when we ate dinner together and I heard him singing to himself without me, and when he tended the garden it was not for me. He was courteous and polite; he enjoyed being at home, but in the fantasy of his home I was not the one who sat opposite him and laughed at his jokes. He didn't want to change anything; he liked his life. The only thing he wanted to change was me.
Pain! Deep, tearing, throbbing, needle-sharp, hammer-blunt pain – ripping through his body and through his mind, twisting deep in his guts and slicing at his skin with razors and broken glass. Oskan wanted to scream, but his vocal cords had burned away. He was desperate for water and he could hear it dripping all around him, but his charred tongue found nothing in his mouth but blisters and scorched flesh. For hours he lay on the ropes of the low bed, unable to move, the pressure of the hemp on his destroyed skin sending new agonies deep into his body.
It always seems to me so odd that when a man dies, he takes out with him all the knowledge that he has got in his lifetime whilst sowing his wild oats or winning successes. And he leaves his sons or younger brothers to go through all the work of learning it over again from their own experience.
A writer's main tool is his memory - his own memory, the collective memory of his people. And the strongest memory is the one that is created by a wound to the heart.
In all spheres of modern life the influence of Stalin reaches wide and deep. From his last simply written but vastly discerning and comprehensive document, back through the years, his contributions to the science of our world society remain invaluable. One reverently speaks of Marx, Engels, Lenin and Stalin—the shapers of humanity’s richest present and future.
When you notice light seeping into your coffin, it's hard to go on pretending that you're still dead.
Mental slavery is mental death, and every man who has given up his intellectual freedom is the living coffin of his dead soul.
I watched Gene Kelly for his smile, for his energy. Vittorio Gassman for his movement. Clark Gable for his mustache. And I watched Lassie who was happy as a dog.
He's worse than Dracula because at least Dracula comes out of his coffin now and then. He seems to stay on his line and that's it.
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