A Quote by Yevgeny Zamyatin

Midsummer Night was roasting hot. The shore, of red granite, glowed with the heat; the dark blood of the earth seemed to be rising from below. There was a sharp, unbearable smell of birds, of cod, of green decaying seaweed. Through the mist the huge ruddy sun loomed nearer and nearer. And in the sea, dark blood welled up to meet it - in bloated, rearing, huge white waves. Night. The mouth of the bay between two cliffs was like a window. A window shutting out curious eyes with a white shade-white woolly fog. And all that you could see was that behind it something red was happening. (The North)
Red like blood White like bone Red like solitude White like silence Red like the beastly instinct White like a god's heart Red like thawing hatred White like a frozen, pained cry Red like the night's hungry shadows Like a sigh piercing the moon it shines white and shatters red
The white face of the winter day came sluggishly on, veiled in a frosty mist; and the shadowy ships in the river slowly changed to black substances; and the sun, blood-red on the eastern marshes behind dark masts and yards, seemed filled with the ruins of a forest it had set on fire.
Up there we see everything, Oakland to the left, El Cerrito and Richmond to the right, Marin forward, over the Bay, Berkeley below, all red rooftops and trees of cauliflower and columbine, shaped like rockets and explosions, all those people below us, with humbler views; we see the Bay Bridge, clunkety, the Richmond Bridge, straight, low, the Golden Gate, red toothpicks and string, the blue between, the blue above, the gleaming white Land of the Lost/Superman's North Pole Getaway magic crystals that are San Francisco.
I stood looking down out of the window. The street seemed miles down. Suddenly I felt as if I'd flung myself out of the window. I could see myself lying on the pavement. Then I seemed to be standing by the body on the pavement. I was two people. Blood and brains were scattered everywhere. I knelt down and began licking up the blood and brains
Mr. Jamrach led me through the lobby and into the menagerie. The first was a parrot room, a fearsome screaming place of mad round eyes, crimson breasts that beat against bars, wings that flapped against their neighbours, blood red, royal blue, gypsy yellow, grass green. The birds were crammed along perches. Macaws hung upside down here and there, batting their white eyes, and small green parrots flittered above our heads in drifts. A hot of cockatoos looked down from on high over the shrill madness, high crested, creamy breasted. The screeching was like laughter in hell.
The mountain trembled like an earthquake. Dust flew into the sky. And the rock turned dark red, like the color of blood'. 'How would you know?' Asks Sindhi cap. 'You only have a black and white television'. 'But it's a very good one. You can almost see colours.
I see trees of green, red roses too. I see them bloom for me and you. And I think to myself what a wonderful world. I see skies of blue and clouds of white. The bright blessed day, the dark sacred night. And I think to myself what a wonderful world
Night falls. Or has fallen. Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon, like a black sun behind cloud cover. Like smoke from an unseen fire, a line of fire just below the horizon, brushfire or a burning city. Maybe night falls because it’s heavy, a thick curtain pulled up over the eyes. Wool blanket.
When it came night, the white waves paced to and fro in the moonlight, and the wind brought the sound of the great sea's voice to the men on shore, and they felt that they could then be interpreters.
September could see it. She did not know what is was she saw. That is the disadvantage of being a heroine, rather than a narrator. She knew only that a red light glowed and went dark, glowed and went dark.
Day and night cannot dwell together. The Red Man has ever fled the approach of the White Man, as the morning mist flees before the morning sun.
I sit cross-legged on the rock The valleys and streams are cold and damp Sitting quietly is beautiful The cliffs are lost in mist and fog I rest happily in this place At dusk the tree shadows are low I look into my mind A white lotus emerges from the dark mud
He lowered the window, and looked out at the rising sun. There was a ridge of ploughed land, with a plough upon it where it had been left last night when the horses were unyoked; beyond, a quiet coppice-wood, in which many leaves of burning red and golden yellow still remained upon the trees. Though the earth was cold and wet, the sky was clear, and the sun rose bright, placid, and beautiful.
Magnus stood up and went to the window. He pushed the curtain back, letting in just enough light to silhouette his hawklike profile. "Blood," he said, half to himself. "I had a dream two nights ago. I saw a city all of blood, with towers made of bone, and blood ran in the streets like water." Simon slewed his eyes over to Jace. "Is standing by the window muttering about blood something he does all the time?" "No," said Jace, "sometimes he sits on the couch and does it.
It was like noticing the sun. You couldn't help but see it, to turn to face the heat of it, to bask in the glory of it. But often when the sun is high in the sky, the moon is up there, too. A dim memory of what she will be in the night, but there, nonetheless, dim and misty, hard and white. At night, there is only the moon, the sun is nowhere to be seen. There are no distractions when the moon rules the sky.
I was walking along a road one evening – on one side lay the city, and below me was the fjord. The sun went down – the clouds were stained red, as if with blood. I felt as though the whole of nature was screaming – it seemed as though I could hear a scream. I painted that picture, painting the clouds like real blood. The colours screamed.
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