A Quote by Yevgeny Zamyatin
Only lifeless mechanisms move along faultlessly straight lines and compass circles. In art the surest way to destroy is to canonize one given form and one philosophy: that which is canonized quickly dies of obesity, of entropy.
Related Quotes
Stories move in circle. They don’t move in straight lines. So it helps if you listen in circles. There are stories inside stories and stories between stories and finding your way through them is as easy and as hard as finding your way home. And part of the finding is the getting lost. And when you’re lost you start to look around and to listen.
The most effective way of destroying art is the canonization of one given form. And one philosophy.
Today we live in a chaos of straight lines, in a jungle of straight lines. If you do not believe this, take the trouble to count the straight lines which surround you. Then you will understand, for you will never finish counting.
Experts now talk about the ‘nutrition transition’, in which populations in developing countries move straight from malnourishment to obesity.
A man dies ... only a few circles in the water prove that he was ever there. And even they quickly disappear. And when they're gone, he's forgotten, without a trace, as if he'd never even existed. And that's all.
I went across the fields to avoid the straight highways, along the firing lines where people were shooting at a small wooded hill, which is now covered with wooden crosses and lines of graves instead of spring flowers.
The world is made of Circles
And we think in straight Lines
Philosophy - reduced, as we have seen, to philosophical discourse - develops from this point on in a different atmosphere and environment from that of ancient philosophy. In modern university philosophy, philosophy is obviously no longer a way of life, or a form of life - unless it be the form of life of a professor of philosophy.
Reality is made up of circles but we see straight lines.
Everything is roughness, except for the circles. How many circles are there in nature? Very, very few. The straight lines. Very shapes are very, very smooth. But geometry had laid them aside because they were too complicated.
You wanted to destroy philosophy and poetry in order to make room for religion and morality which you misunderstood: but you wereable to destroy only yourself.
What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible— significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colors, these aesthetically moving forms, I call ‘Significant Form’; and ‘Significant Form’ is the one quality common to all works of visual art.
The arrow of time doesn't move forward forever. There's a phase in the history of the universe where you go from low entropy to high entropy. But then, once you reach the locally maximum entropy you can get to, there's no more arrow of time.
Any form of art is a form of power; it has impact, it can affect change. It can not only move us, it makes us move.
Any form of art is a form of power; it has impact, it can affect change - it can not only move us, it makes us move.
It is a thoughtless and immodest presumption to learn anything about art from philosophy. Some do begin as if they hoped to learnsomething new here, since philosophy cannot and should not do anything further than develop the given art experiences and the existing art concepts into a science, improve the views of art, and promote them with the help of a thoroughly scholarly art history, and produce that logical mood about these subjects too which unites absolute liberalism with absolute rigor.
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