A Quote by YG
I got a platform and a game. I got, like, people who look up to me, who listen to me.
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People, my age, people older, people younger, it's like they look up to me. They listen to my lyrics for wisdom. They listen to my lyrics for like game. They listen to my lyrics for real deal beneficial purposes.
When I did Sean Penn’s movie, I think I was living in, like, a $500-a-month room, and someone called me up or bumped into me and asked me if I’d come up to work for a day. That sort of got me going a little bit. But it wasn’t until Sin City [2005] that I kind of got back into the game.
You've just got to listen to what experienced people are telling you. You've obviously got to listen to what they want you to do in training and in matches and commit to improving every aspect of your game.
I can't speak for everybody, but sometimes, people get in this showbiz game and they get the money, but then they forget why they got in the game in the first place. I don't even look at it as fame, I just look at it as me being me, and me going out here everyday and being productive, because I am the product, and I'm selling myself. I'm selling my ambition and my integrity and my adversity, and I'd just like to be that.
Yes, there are times where I might play one bad service game a set. If you look at Sampras, he might play one slightly suspect service game every three sets. So to beat someone like that you've obviously got to be right on top of your game. I've basically got to get rid of that in my game so it makes me very difficult to beat.
I don't look at myself as a hero I look at myself as just another person who's on the path. I have got a light in front of me shining and I have got other people in front of me with their light shinning for me, I have got people behind me with their light shinning for me.
In the game, you've got some people who've got money, but their music is kind of off, their music is garbage. Then, you have people with good music, but they ain't got the biggest part: They ain't got the funds. But me, I'm just all the way around the board.
When I got to the stage, it was like a release, you know what I mean? Because it was like, 'Oh, people like me. People like me. They're listening to what I have to say. They're not judging me on how I look; they're judging me on what I'm saying.' So to me, that's what's worth it, and that's what comedians have.
Doing a concert, I look at a room full of different people, and I see you've got Muslims, you've got Jews, you've got Christians, you've got gays, you've got straights, you've got blacks, you've got whites. I think, 'How can I unite these people through song?'
Alan Blunt got in touch with me and asked me to put you up here for the rest of the week, to pretend that you're my son. I have to say, you don't look anything like me." "I don't look anything like myself either," Alex said.
I look at ordinary people in their suits, them with no scars, and I'm different. I don't fit with them. I'm where everybody's got scar tissue on their eyes and got noses like saddles. I go to conventions of old fighters like me and I see the scar tissue and all them flat noses and it's beautiful. ... They talk like me, like they got rocks in their throats. Beautiful!
You got to wrestle with your conscience. You got to listen to people. It doesn't come so easy to me that this is right and that's wrong. It's never that simple.
I wasn't sure how it would unfold once I got to the NBA, but I knew if I got to the NBA, I could then have the platform and have the resources and the connections and the people around me that had more connections and more resources to help me really impact a lot of people's lives.
I like Young Thug. A lot of people might think I don't like Thug. I listen to Thug more than I listen to a lot of them. You got to listen to the music and absorb it. Some people might see him on the centerfold or something and just automatically judge him. You got to listen.
I ain't got no problem in Boston, I especially like the attention. I know that I'm one of the top guys in this game and all the attention is on me, I got a lot of people on my shoulder but I'm human. I like to go. I like to have fun. I like to do this and that but I gotta represent Boston and the Red Sox in every way that I do outside this game. ... Like I said I get paid to play baseball no [matter] where I go to play I still gotta go and perform even if I like it or not.
After the first time I got traded - I was in the bullpen warming up for a game in Double A, and I got called back in and got traded - that was probably the, like, most crazy it could be. And once I got traded, the next time it got a little easier, and I got traded the next time - it's just part of it.
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