A Quote by YG
On the 'Blacks & Browns' record, it's me and Sad Boy. He's a Hispanic artist, and we're talking about what we got going on with our peoples.
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Me and Johnny Rotten have been talking about doing a movie of his book, No Irish, No Dogs, No Blacks. We have a script, so hopefully that's going to happen at some point in our careers.
Every person at a record company didn't want to be bothered with me because I was too smart. They knew if I recorded, they were going to have to pay me. They knew I wasn't going to be the artist that would just go in and record. I wanted to know about my royalties.
Very neat for a boy; always cleaned up his mess, no matter where he got it on me. He's Hispanic, so he's like, 'Now who's the wetback?' I'm like, 'Hey, still you. Get back in the kitchen, those dishes aren't going to do themselves.
I am working for the time when unqualified blacks, browns and women join the unqualified men in running our government.
I guess this song isn't about anything necessarily sad, but it makes me sad just because it makes me think about how inaccessible the past is, but it's called 'Boy Child' by Scott Walker.
You're sad-looking," she said. "My grandson used to be such a happy boy. He used to write me stories. I remember the first story he ever wrote me, 'Once upon a time, there was a boy.' And that became 'Once upon a time there was a boy who wanted to fly.' And they kept getting better and better over time. I never found out if the boy got to fly." I gave her a small smile. If only she knew the boy's wings had been clipped.
I don't think about the record, because winning games has to be our focus, and if we lost focus thinking about that record, I would really regret it. How will I feel later on? People tell me it will mean a lot after I retire, for the kids and me. But to me, it's just a stat. It's something people enjoy talking about. Me? I just enjoy playing.
The industry has changed in that it is far more disposable than it used to be. When Boyzone came out, we were given a shot and the patience to record our singles and albums. Nowadays, the thought is if it is not working, then the artist will be dropped. The record companies will bail on the artists, and I find that sad.
I remember when we were mixing our record and our manager was in there going, 'You guys need to sing more, so it can be on the radio.' And we were like 'What? We're never going to get played on the radio. Who cares? What are you talking about?'
I was going to McDonald's and Taco Bell every day. The kids behind the counter knew me - it wouldn't even faze them. Or I'd sit up at Denny's or Big Boy and just eat by myself. It was sad. I got so heavy that people started to not recognize me.
My contract with mercury PolyGram Nashville was about to expire. And I never had really been happy. The company, the record company, just didn't put any promotion behind me. I think one album, maybe the last one I did, they pressed 500 copies. And I was just disgusted with it. And about that time that I got to feeling that way, Lou Robin, my manager, came to me and talked to me about a man called Rick Rubin that he had been talking to that wanted me to sign with his record company.
When we're talking about slavery... we're really talking about the web of relationships that exists between whites and blacks from 1619 to 1865 to now.
If we're going to be successful and be considered credible in the Hispanic community, we've got to denounce some of the ignorant statements that are made about Hispanics and the contributions we make, whether it's to the military, our nation's economy, or to the history of Texas.
Pearl Jam bassist Jeff Ament and I get excited talking about making record artwork or working with T-shirt designs. The least exciting part for us is talking about the finances; it's like going to the dentist for us. But we at least try to do it in a creative way and put our stamp on it. I can only think that we create something that's worth the value of that dollar.
A friend of mine, a Hispanic entrepreneur asked me a question sometime ago, he said, 'When is the last time you saw a Hispanic panhandler?' I think it's a great question. I'll tell you, in my life I've never once have seen a Hispanic panhandler, because in our community, it would be viewed as shameful to be out on the street begging.
I felt like for what I needed, Bad Boy got me... they got me covered. Especially Puff, man. He's going to be the first billionaire rap entertainer. At the end of the day, they need me. Other artists-labels don't need me, but Bad Boy and Puff needs me. And I need them. It goes both ways.
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