A Quote by Yip Harburg
Ira [Gershwin] was the shyest, most diffident boy we had ever known. In a class of lower east side rapscallions, his soft-spoken gentleness and low-keyed personality made him a lovable incongruity. He spoke in murmurs, hiding behind a pair of steel-rimmed glasses..Ira had a kid brother who wore high stiff collars, shirts with cuffs and went out with girls.
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If Richard Branson had worn a pair of steel-rimmed glasses, a double-breasted suit and shaved off his beard, I would have taken him seriously. As it was I couldn't . . .
Acting has made me embrace my childhood. It's become some weird form of therapy. It's like I have a place where I can release all of these emotions. When I was playing Ira Hayes, I didn't have to think about the death of my parents directly. It's just there. I can blend it into Ira's character. I can use Ira's emotions as an outlet.
Ira Gershwin, shame on him. I mean, some of the writing.
I've had a couple of times where things were so extraordinary wonderful that it changed my world. One of them was when I met Ira Gershwin and started working with him. That was a game-changer for me. It changed the entire course and direction of my life.
I wanted to grow up to be George and Ira Gershwin from the age of about six.
Freedom can be gained only at the point of an IRA rifle, and I apologize to no one for saying that we support the freedom fighters of the IRA.
Nothing that had ever happened to him, not the shooting of Oyster, or the piteous muttering expiration of John Wesley Shannenhouse, or the death of his father, or internment of his mother and grandfather, not even the drowning of his beloved brother, had ever broken his heart quite as terribly as the realization, when he was halfway to the rimed zinc hatch of the German station, that he was hauling a corpse behind him
I never talk about shooting anybody, but I do acknowledge I was a member of the IRA, and as a member of the IRA, I obviously engaged in fighting back against the British army.
I was lucky enough to have the songs in my first show written by George and Ira Gershwin. Then Cole Porter wrote five shows for me
I was lucky enough to have the songs in my first show written by George and Ira Gershwin. Then Cole Porter wrote five shows for me.
The most tragic moment of my life was the first show I ever designed for. I had been asked to make shoes for Ossie Clark's show in the early '70s. I was so inexperienced that I didn't put the steel in the heels of the shoes, which is required to support the shoe and the wearer. So the girls came out walking very strangely in these rubber, bendy high-heeled shoes I had made. I thought 'Oh dear god! This is the end of me.' But after the show, even David Hockney and Cecil Beaton said to me 'It was so interesting that the girls were moving in such a different way.'
From a town known as Wheeling, West Virginia Rode a boy with a six-gun in his hand And his daring life of crime made him a legend in his time East and west of the Rio Grande. Well, he started with a bank in Colorado In the pocket of his vest a Colt he hid. And his age and his size took the teller by surprise, And the word spread of Billy the Kid.
I remember very vividly - I wrote about it in one of my books - my first IRA. I contributed $2,000 every year, and in 21 years, the funds in that IRA account grew to $260,000. Seems like sort of a miracle, but it happened.
When I went to the all-Ireland final - Kerry against Dublin - I couldn't get away for an hour and a half with people coming up and wishing me all the best. Not one of them said, 'Martin, when did you leave the IRA?' But every one of them knew I was in the IRA at one stage.
My grandfather and his wife came to America at the end of the 19th century from Hungary. Everyone started out on the Lower East Side. They became embourgeoise and would move to the Upper West Side. Then, if they'd make money, they'd move to Park Avenue. Their kids would become artists and move down to the Lower East Side and the Village.
If this were the fifties, she’d be checking Sam’s collars for lipstick stains. (Did people do that anymore? Why did women kiss collars, anyway? Besides, Sam almost always wore T-shirts.)
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