A Quote by Yngwie Malmsteen

Fast is only cool if it's melodic and has substance. — © Yngwie Malmsteen
Fast is only cool if it's melodic and has substance.
The only requirement of a symbol is that it have substance underneath: The first thing to do is to try to establish the substance. The style comes after the substance. Only then can the style help the substance, and vice versa.
Just because something is melodic or catchy doesn't mean that it doesn't have depth and substance and progressive sensibilities.
Chop Suey!' was really heavy, but it had a lot of melodic parts. It was fast and frenzy.
As far as I'm concerned, the essentials of jazz are: melodic improvisation, melodic invention, swing, and instrumental personality.
Evil has no substance of its own, but is only the defect, excess, perversion, or corruption of that which has substance.
You hear a Willie Nelson solo, he doesn't play real fast, but it's so melodic and beautiful. It's kind of, to be human is to have space and not show all your stuff all the time.
The music I write is very melodic, very catchy, and fast.
I like clever songs. I like songs that make people think and I try to have substance in all my records, even with 'Sweet Dreams' how it was a club record and it was up tempo, but it was melodic and it was, like, lyrical.
Walking was not fast enough, so we ran. Running was not fast enough, so we galloped. Galloping was not fast enough, so we sailed. Sailing was not fast enough, so we rolled merrily along on long metal tracks. Long metal tracks were not fast enough, so we drove. Driving was not fast enough, so we flew. Flying isn't fast enough for us. We want to get there faster. Get where? Wherever we are not. But a human soul can only go as fast as a man can walk, they used to say. In that case, where are all the souls? Left behind.
The pianist Cecil Taylor is extremely melodic; the guitarist Derek Bailey is extremely melodic, and Ornette Coleman.
Of the eternal corporeal substance (which is not producible ex nihilo, nor reducible ad nihilum, but rarefiable, condensable, formable, arrangeable, and "fashionable") the composition is dissolved, the complexion is changed, the figure is modified, the being is altered, the fortune is varied, only the elements remaining what they are in substance, that same principle persevering which was always the one material principle, which is the true substance of things, eternal, ingenerable and incorruptible.
What So Not used to be a lot more dance-y, and now it's becoming a lot more melodic. Flume has always had that melodic thing, but it's starting to become a bit heavier, so it's just difficult to navigate between the two.
How a man perceives substance dictates the amount of substance in a man. To know the depth of anyone's true substance, simply measure the weight of what consumes and excites their inner drive.
Addiction isnt about substance - you arent addicted to the substance, you are addicted to the alteration of mood that the substance brings.
In a way, composing on the melodic level is an expression of a melodic truth, almost like a geometric truth. If it has clarity, other people will recognize it. There's no way of isolating it in a gallery on a white wall and saying, "This is a work of art. This is a mathematical proof."
Addiction isn't about substance - you aren't addicted to the substance, you are addicted to the alteration of mood that the substance brings.
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