A Quote by Yngwie Malmsteen
I listened to all those blues records. They were great - Clapton, John Mayall. Then eventually I heard Genesis with Peter Gabriel, and I didn't really understand the difference then, but something struck me about the inversions and the diminished chords... they weren't as bluesy, and I loved it. I found out, that was very baroque-influenced.
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Lightnin' Hopkins was something of a fixture on the Houston coffee house scene so we were witness to eccentric blues brilliance close up. Then, believe it or not, along came the wave of the English cats like John Mayall, Eric Clapton and the Stones embracing the great American art form - the blues.
My early influences were the Shadows, who were an English instrumental band. They basically got me into playing and later on I got into blues and jazz players. I liked Clapton when he was with John Mayall. I really liked that period.
I have a lot of analog. I think a lot of people do. There are a lot of people that are re-discovering it. I still have a lot of my old records from back in the day. It's a joy to play things like Junior Wells' 'Hoodoo Man Blues,' and John Mayall & The Blues Breakers with Eric Clapton. There's a warmth that you can still feel.
Well first of all, I'm a singer. I sing since I talk. So the great ballad singers, the people that sang with so much feeling, jazz, blues, all those singers, they were songs that I listened to, records that my mom played for me, and then later I bought.
Oh yeah, I love Peter Gabriel's stuff. I mean, I even have the Genesis records. He's incredible.
Lonnie Donegan and the folk movement were responsible for a lot of the spread of the blues in England. The group Them with Van Morrison was a big influence on me, too, as were The Stones; The Yardbirds, John Mayall, and the other British blues pioneers.
One of my great memories of John is from when we were having some argument. I was disagreeing and we were calling each other names. We let it settle for a second and then he lowered his glasses and he said: "It's only me." And then he put his glasses back on again. To me, that was John. Those were the moments when I actually saw him without the facade, the armor, which I loved as well, like anyone else. It was a beautiful suit of armor. But it was wonderful when he let the visor down and you'd just see the John Lennon that he was frightened to reveal to the world.
A lot of what I listened to growing up was blues, but also folk and indie music. So there's this marriage of songs that structurally are quite bluesy. Sound-wise, there's a lot of indie as well. But you can't really say I'm pop-blues, because that's insulting to blues. It just can't exist.
I think teenagers just don't have the persistence to pretend to like something they don't anymore. I used to do that - make myself like stuff that didn't immediately appeal to me. When you're 17 and checking out John Cage records from the library. It's not like it's got the hooks of a Ramones record, or a Beach Boys record. But at the same time, you're like, I know there's something in here that I'm supposed to understand. And then eventually you find it.
When I met Eric Clapton, I was a very young girl. I was 20 years old. And we were linked for a very short time, and then we became friends. And then we lost touch, which I'm really sorry about.
Growing up, I listened to a lot of jazz and blues records - John Coltrane and Etta James. I was also really into Radiohead and the BeeGees.
If you alone found out what the lie was, then you're probably right—it would make no great difference. But if you ALL found out what the lie was, it might conceivably make a very great difference indeed.
I listened to King Oliver and I listened to Louis Armstrong, Jelly Roll Morton, Thelonious Monk, Charles Mingus, John Coltrane, Archie Shepp... I listened to everything I could that came from that place that they call the blues but, in formality, isn't necessarily the blues.
Eric Clapton and Jeff Beck made me an Anglophile. I listened to English and Irish artists as a kid, and they were way louder, heavier, and faster than the traditional blues that I was listening to.
I loved rock and roll when that came in, Bill Haley, Little Richard, Fats Domino, Buddy Holly, Elvis Presley, all those great records. So I begged my mom and dad for a guitar, which eventually they did get me for Christmas, but it went out of tune very quickly, and it hurt my fingers.
In my early 20s, I was buying Kristofferson records. I loved his acting; then I found out all the songs he wrote. I loved the Highwaymen. I collected all that stuff.
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