I've used Fender Strats with Marshalls since forever, though since I last played London, I've switched to my YJM Seymour Duncan pickups, and I also have a Fender YJM overdrive pedal, which is fairly new.
Ever since I was a kid, I've been a Fender connoisseur. And to have my name associated with greatness like that, it's amazing. I couldn't be more proud of anything. My children, and then being associated with Fender. In that order!
The first guitar I ever picked up was an acoustic black Fender, so it makes perfect sense that Elias plays Fender guitars. As far as details, it's simple; Elias and Fender have a great relationship.
What I think is cool about Fender, and what originally drew me to them, was the Fender electric guitar headstock, which I've never seen on another ukulele. I feel like a rock star when I'm tuning it.
I'm using Fender Twin Reverbs and Fender Blues Devilles on stage.
Using double coil pickups kills a lot of the guitar tone - you lose the acoustic mechanics. With my single-coils driven through the Marshalls and overdrive, it sounds massive.
I've got a Fender Concert amp from the '60s, the one Joe Osborn used. He played his bass through it.
I've been playing a Fender since 1963, and before that it was my dream guitar. I can't endorse it more than that.
I use Bogner amps and custom-designed Schecter guitars with Seymour Duncan Invader pickups. I beef up my tone with a Boss CS- 3 Compression Sustainer. It's kinda like my secret weapon.
I love to photograph the tools of one's trade: Duncan Grant's paintbrushes, the typewriter of Herman Hesse, or even my own guitar, a 1957 Fender Duo-Sonic.
I've always used the Peavey Mace equipment. I've got a few of them. They're kind of like Marshalls. You know, we used to use Marshalls, but Peaveys just seem to last longer and push the sound better.
I love my Fender Rhodes. It's been a part of my family since that keyboard came out, and I've had it reworked so that it's in the best condition it's actually ever been in. That is my baby.
Without the Fender bass, there'd be no rock n' roll or no Motown. The electric guitar had been waiting 'round since 1939 for a nice partner to come along. It became an electric rhythm section, and that changed everything.
My guitar is a mutation between a classic Fender Stratocaster guitar, which I played for years, and a Gibson solid-body like an SG or a Les Paul. It contains all sounds of the basic classic rock n' roll guitars. It does what I want it to do.
When I first played the guitar without plugging it into an amplifier, the people at Fender were blown away. They couldn't believe the sound. I said, 'See, gentlemen, the world is no longer flat.'
Something people wouldn't expect me to do is I play this computer game called 'Runescape.' I've played 'Runescape' since forever. Since I was, like, six. It is still one of my favourite games ever.
Since...since when?" I finally managed to ask. "Since...forever." His tone implied the answer was obvious.