I emigrated to the U.S. on February 3, 1983, when I was 19 years old. I joined Steeler right away and recorded the album the following month. I'd been playing in bands in Sweden since the age of 11, but 'Steeler' was my first album.
I joined Alcatrazz a month after I recorded 'Steeler.' The big difference between Steeler and Alcatrazz is that in Alcatrazz, I wrote the songs. When I went to the Alcatrazz audition, they had no songs and no direction. They also had a questionable drummer.
I want to be a Pittsburgh Steeler. I'm happy that I'm still a Pittsburgh Steeler. Hopefully we can work out a long-term deal, and I can be a Steeler for my entire career.
The first review our band ever got - when I was 17 years old and we had just released our first EP, and this tiny little magazine wrote a review on it, and for that month, we were the best album of the month, and we were also the worst album of the month. We won best and worst album of the month in the same magazine.
I was 19 when I recorded my first album, and I've been exposed to many things during these last few years; all the baby fat is gone.
Steeler was a good start for my career. They didn't play anything dangerous - everything was formulaic - but I played all this crazy stuff on top of it, and that turned out to be an interesting combination. But by the time 'Steeler' came out, I was already out of the band.
In 1966 I recorded my first bolero album. I was about 18 years old then and I recorded it because I wanted my parents to know that I hadn't lost my identity of being Latino.
I've been playing the viola since I was 6 years old, and then I decided to switch it up a bit, so I've been playing the violin since I was 11. I started playing the piano when I was 11, and I started playing the guitar when I was 10.
Ramones or AC/DC are two bands that have managed to keep their signature sound and their signature formula for years and years and album after album after album, without it seeming like a dead-end street.
When I got the 'Blue Album,' I was 11 years old, 10 years old, and then I convinced my parents to go and get my first drum kit, which was, like, 600 bucks.
I've been through a lot, both personally and professionally, and the album that I started to record two and a half years ago is a different album from the one that exists today. I even changed the album title. First it was 'All I Want is Everything,' and now it's 'Jumping Trains.'
I always loved bands who would try to change their sound radically album to album, experiment in one album and revert back in another.
I think most bands probably peak on their first album. We peaked on our third album. On the first album, I feel like I wish the production was a little better. I'll always hear a song I don't like. I look for what I could have done to make it better. It's always difficult for me to listen.
I've been following battle rap for a long time. Me and Daylyt are real cool. We battled on my album, he's on my album. We did a one round battle on my album and that was just me capturing These Days.
Usually bands would make a song to record for an album, but what happens with the deejays you say "Well the album is everything we need. Thanks band. You can go away now."
I still play the same kit that I used on the very first album. It's an old Tama Superstar that I bought in 1983.
I have been following World Cups since I was 11 years old. The competition inspires me.