A Quote by Yngwie Malmsteen
Using double coil pickups kills a lot of the guitar tone - you lose the acoustic mechanics. With my single-coils driven through the Marshalls and overdrive, it sounds massive.
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I've used Fender Strats with Marshalls since forever, though since I last played London, I've switched to my YJM Seymour Duncan pickups, and I also have a Fender YJM overdrive pedal, which is fairly new.
There are a lot of cases where I'm using, if not an acoustic guitar, an electric guitar more as a rhythm instrument. Rather than blasting away, I use it to create more of an acoustic feel.
I used to play a lot of electric guitar. I don't really consider myself a guitar player anymore. Then I got really into how the pickups work. And winding and de-winding Telecaster pickups. And then building Telecasters. And I became more fascinated with making them than I was with actually playing them. So it's a slippery slope.
I've always been an acoustic guitar player, and I've pretty much continued to play acoustic guitar throughout all of the Sonic Youth periods. My material for Sonic Youth often started on acoustic guitar.
I got this Christmas gift with the entire Beatles catalog. I had fun trying to duplicate what I was hearing on these records, only using the instruments I had at hand - an acoustic guitar, and that's all. It was endlessly amusing to me to try to imitate John Lennon and Paul McCartney's harmonies using the guitar.
Dorsey played the upright bass and steel guitar, as well as acoustic guitar. Johnny played acoustic guitar and together they were fabulous songwriters and singers.
I actually bought a travel guitar, and that guitar is really cool. You can actually fold the guitar, and you can plug headphones into it, but it's acoustic, or semi-acoustic.
It became a bit of a challenge to make an album that is essentially quite alternative sounding, and has a lot of sounds that could be guitar - for instance on "Overjoyed," there's what sounds like guitar but is actually a lot of keys.
Steve Morse is a very good guitar player, but he's American, and he's using humbucker pickups. If you ask me, those two are not good.
My stuff was more of a folk coffeehouse thing, with more acoustic guitar, just me doing a single, and then adding on instruments and voices, with emphasis on lyrics and singing and light kind of acoustic jazz.
I sit around and play acoustic guitar - usually acoustic, sometimes electric, occasionally piano, but more often guitar, just trying to come up with tunes. Ideas kind of pop into your head.
Yeah. I started using them [SDD-3000s] shortly after first working with Edge on The Unforgettable Fire. Basically, I stole his sound. It wasn't a complicated rig: just a guitar he liked through a Korg SDD-3000 digital delay into a Vox. Three components, mono - that's it. The great thing about the Korgs is its three-position level switch, which lets you hit the amp with about 10 extra dB. It's more overdriven than if you just plugged the guitar straight into the amp, even when it's on bypass. But a lot of the guitar sounds on Achtung Baby were recorded through a Korg A3 effects processor.
When you break out the acoustic guitar, the words are the focal point unless you're the Jimi Hendrix of the acoustic guitar. So the words have to have meaning.
I usually speak with all my drummers so that I write my songs with them in mind, and we'll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology, I can play all kinds of sounds - double bass and stuff.
I built the solenoid and with great expectations late one evening I pressed the switch which sent a current of 40 amperes through the coil. The result was spectacular-a deafening explosion, the apparatus disappeared, all windows were blown in or out, a wall caved in, and thus ended my pioneering experiment on liquid hydrogen cooled coils!
My father had played the guitar when he was young, and my uncle Jack had worked for Kalamazoo, before the war, developing guitar pickups. So there was a kind of family thing about the guitar, although it was considered something of an anomaly then.
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