A Quote by Yngwie Malmsteen

To get a feel for the right-hand picking technique, you have to let the pick 'fall' from string to string as if you were strumming a chord. It's important that you don't separate the pick strokes.
The easiest place to get a natural harmonic on any string is at the 12th fret. All you do is lightly rest one of your left-hand fingers on a string directly above that fret and then pick it.
The fact that I'm a fifth of Punch Brothers... that's lucky for me because I feel like I get to operate in the context of one of the great string bands. There's just not another string band I would rather be in, and i'm just compelled to make music for and with string bands. It's what I know, and it's kind of like who I am.
Just like an ordinary guitar string, a fundamental string can vibrate in different modes. And it is these different modes of vibration of the string that are understood in string theory as being the different elementary particles.
I'm easy to pick on because I'm a string bean.
Genealogy of ideas. You don’t get to pick your family, but you can pick your teachers and you can pick your friends and you can pick the music you listen to and you can pick the books you read and you can pick the movies you see.
Grab a guitar, put some kind of strings on it, a banjo string, then a violin string, then a guitar string, tune it any way you want, and make some noise, and see what you get. And work on it until you get something that you think is interesting. That's all there is to art for me.
The best theory comes from string theory, which states that dark matter is nothing but a higher vibration of the string. We are, in some sense, the lowest octave of a vibrating string.
Someone once told me that children are like kites. You struggle just to get them in the air; they crash; you add a longer tail. Then they get caught in a tree; you climb up and bring them down, and untangle the string; you run to get them aloft again. Finally, the kite is airborne, and it flies higher and higher, as you let out more string, until it's so high in the sky, it looks like a bird. And if the string snaps, and you've done your job right, the kite will continue to soar in the wind, all by itself.
In pick-and-roll situations, I feel like the NBA is all pick-and-rolls, so I want to be able to handle the ball in pick-and-rolls and make the right read, make the right passes, and make plays for my teammates.
One very important aspect of string theory is definitely testable. That was the prediction of supersymmetry, which emerged from string theory in the early '70s.
What most people call loving consists of picking out a woman and marrying her. They pick her out, I swear, I’ve seen them. As if you could pick in love, as if it were not a lightning bolt that splits your bones and leaves you staked out in the middle of the courtyard. They probably say that they pick her out because-they-love-her, I think it’s just the siteoppo. Beatrice wasn’t picked out, Juliet wasn’t picked out. You don’t pick out the rain that soaks you to a skin when you come out of a concert.
I've always approached the game, going back to when I got drafted in 2012 to Denver, like I was going to be the starter. That's how you have to prepare, whether you are first string, second string or third string, because you never know when something is going to happen to the guy in front of you.
I can assure you that no string theorist would be interested in working on string theory if it were somehow permanently beyond testability. That would no longer be doing science.
Sweep picking is when the right hand sweeps down and up the strings in succession. But when you do sweep picking, one note rings into the next, and it sounds almost like you're playing a chord, and that's exactly what you don't want.
A personnel guy always wants to get his pick right. We live that every year. We want to make sure the pick is right.
There is not a string attuned to mirth but has its chord of melancholy.
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