A Quote by Yo Gotti
With each project, whether it's an album or a mixtape, I try to learn more in the process.
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We owned the mixtape game, and every mixtape we put out was like an album.
Whether youre trying to learn in hockey or trying to learn in life, Ive always tried to be observant and tried to learn more, tried to evolve, whether its as a hockey player or as a person. With each year, I try to do that.
Whether you're trying to learn in hockey or trying to learn in life, I've always tried to be observant and tried to learn more, tried to evolve, whether it's as a hockey player or as a person. With each year, I try to do that.
I try to learn on each project, try to really feel what the characters are feeling.
I think the old school, back in the day, 10 to 15 years ago in music, is like you launch one single and you just let that ride out. Right now, you've got folks like Chris Brown, he just won't let up, he's got mixtape after mixtape, they're playing songs on the radio from the mixtape and then he's got songs on the album and videos and he's got remixes he's jumping on.
Life itself is a race, marked by a start, and a finish. It is what we learn during the race, and how we apply it, that determines whether our participation has had particular value. If we learn from each success, and each failure, and improve ourselves through this process, then at the end, we have fulfilled our potential and performed well.
I'm a task-oriented actor. A pretender. And I try to invent my process anew each time I make a new project. So I frown on any method.
The whole point of 'Acid Rap' was just to ask people a question: does the music business side of this dictate what type of project this is? If it's all original music and it's got this much emotion around it and it connects this way with this many people, is it a mixtape? What's an 'album' these days, anyways?
It's better not to try to learn all the lines by rote. It's a very bad idea, in fact. You have to do it by using the process, and as I say, the process is to learn during rehearsals, and that's how you'll do it.
I always imagined that I would learn something each time that I would take to a new project, then I realized that each new project poses a completely different challenge.
I try to find more interesting material with each project I do.
Each thing leapfrogs. I do a Genesis project - like now, we're just finishing off an album - and then by the time the album is doing its thing, I could do nothing or I could do a film.
A good mixtape didn't just gather together a bunch of love songs, but instead created an emotional narrative specific to your affection. The stories in most of my favorite collections are collected more like songs on a mixtape than, say, collected like spare change. By which I mean they are in conversation with each other and work to become larger than their parts.
I think the I Am album allowed me to show fans that I'm more than just a mixtape artist, who can make music on a different platform, a bigger platform, and I think more people respect what I'm doing now.
Expect to get more than you expected [from Crash Landing project]. Expect more than a mixtape.
So for me, I had to get something going to promote the new project that I got. I decided to come with the 'Lost Jewelry' EP, which is a mixtape but it's more sexier because it's all fresh music.
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