A Quote by Yo Gotti
Memphis breeds hustlers, I feel. It's just cutthroat living period, so to survive around vultures and savages like that, it prepares you for whatever profession you go in.
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As far as Memphis being underrated, I feel like a lot of people have slept on Memphis music when it comes to breaking through into the mainstream.
The thing that really breeds career longevity in this profession is doing good work. You can make $20 million a movie, but does that mean you'll still have a job when you're 60? It's a profession that eats people up and wants constant turnaround, so you have to dedicate yourself to learning and making the most of whatever gift you may have.
I've never felt stigmatized in my profession, nor have I allowed myself to. I don't feel either male or female, I feel I am just me, and I should be able to do whatever I like.
Savages!' he echoed, ironically. 'You set foot on one of the shores of this globe, professor, and you’re surprised to find savages? Where aren’t there savages? Besides, are they any worse than others, these whom you call savages?
The Spirit continued to stir and declare, "You cannot be afraid to face the wolf at the door. Don't let the fear paralyze you. When you get in fear and get paralyzed, sometimes somebody has to come and get you. Whatever is swarming around you that thinks you are dead. you tell it that you are not dead! Tell the vultures you are not dead and that they have to move on! Say, 'Vultures, I am not the meal you thought I was going to be!
I hope one day it's not revolutionary just to be yourself, but I think that the work that's being done around identity and personhood is so important.I feel inspired by people around me who are part of this movement as well: Hari Nef and Rowan Blanchard and Willow Smith and these kids who are really not going to listen to anyone. "I'm just going to say whatever I feel. I'm going to be myself. And if you don't like it, then, you can go screw yourself."
I feel like every five to seven years I really need to put myself in this position of discomfort and exploration, just to survive. Otherwise I feel like I'm falling asleep, like I'll go crazy if I don't do it.
I always liked making the 'vibe music' more 'cause I feel like you can get more creative on it. Memphis is for sure like the grimey. In my hype music, the Memphis comes out of me - but when I try to vibe, I feel the Caribbean culture come out.
When I go back home, I feel like Michael Jackson in Memphis. They love me.
The missionaries go forth to Christianize the savages - as if the savages weren't dangerous enough already.
I love Memphis, I guess you could say, in the way that you love a brother even if he does sometimes puzzle and sadden and frustrate you. Say what you want about it, it's an authentic place. I was born and raised in Memphis, and no matter where I go, Memphis belongs to me, and I to it.
Success breeds complacency. Complacency breeds failure. Only the paranoid survive.
But whatever my failure, I have this thing to remember - that I was a pioneer in my profession, just as my grandfathers were in theirs, in that I was the first man in this section to earn his living as a writer.
My relationship with the Grizzlies might change, but my relationship with Memphis won't. What I feel inside and how I feel about Memphis and its people has nothing to do with a franchise or a temporary thing. It's not going to change.
Some writing is a really nice solitary process, in a way, because you can be a little self-conscious around other people. If it's just you, and you're at your favorite piano, or whatever instrument, and you feel comfortable, then somehow, I always feel like it's opening a door and letting whatever is to pass through pass.
I feel a lot of cities are like, you go and you are trying to do your art, and there are so many other artists there who are so brilliant. And it's kind of like they stomp on the scene, and they are like, "You're not already Picasso? Get the hell out of here!" And Memphis is like, "Well, you'll get there one day!"
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