A Quote by Yo Yo Honey Singh

My playground as a musician is growing. — © Yo Yo Honey Singh
My playground as a musician is growing.
Youth is terrible: it is a stage trod by children in buskins and a variety of costumes mouthing speeches they've memorized and fanatically believe but only half understand. And history is terrible because it so often ends up a playground for the immature; a playground for the young Nero, a playground for the young Bonaparte, a playground for the easily roused mobs of children whose simulated passions and simplistic poses suddenly metamorphose into a catastrophically real reality.
My playground growing up was the fields and forests.
Writing is very much a playground - an artistic playground. It's the most fun thing I do.
Well I'm a third-generation musician. My Grandfather's a musician and my father and mother were both musicians and so I'm a musician. It was just natural that I should be a musician 'cause I was born into the family.
Theatre is a playground. It really is, and we should use that playground more.
I was growing up in Kitchener, practising every day on my playground - and it's all about how bad you want it.
I'm growing fonder of my staff; I'm growing dimmer in the eyes; I'm growing fainter in my laugh; I'm growing deeper in my sighs; I'm growing careless of my dress; I'm growing frugal of my gold; I'm growing wise; I'm growing yes, I'm growing old!
My family had a business where they worked with gravestones, and I remember growing up and playing in cemeteries like it was a normal playground.
Fairy tales were great because they provided a no-limits playground for my imagination, and growing up, there's nothing more exciting.
I was growing up in the New Wave period, but that wasn't allowed in school. I remember moments when they wouldn't let four people dressed in black stand together on the playground.
When I say myself, I don't mean just as a woman of color, as a girl who's growing up in the Bronx, as people growing up in some way economically-challenged, not growing up with money. It was also even just the way we spoke. The vernacular. I learned that it's alright to say "ain't." My characters can speak the way they authentically are, and that makes for good story. It's not making for good story to make them speak proper English when nobody speaks like that on the playground.
When we were visiting New York City, I took my kids to the same playground where I went growing up. It was fun to feel that connection of having gone there as a kid and being there as a parent.
All I know is when I start getting serious about songwriting... it's like a playground. All responsibilities slip away and you're with your essence. There can be delight there and self-discovery. You can dance there... I think of it as my serious playground.
I'm a musician, I always was a musician, and now I've got a song on the radio, so I'm definitely a musician.
As long as I'm still growing as a musician, it keeps me inspired.
I definitely had an advantage growing up in New York. It's different playing on a New York playground.
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