A Quote by Yo-Yo Ma
You know, you can have someone who's the very best at something, but if there's not that kind of chemistry, collaborating is not going to amount to anything.
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I felt like I had kind of played it out, and I wanted to see what was next, and then came Mythbusters. You know, it's the best job I've ever had, on its worst day it's better than anything else, but it's a huge amount of responsibility, and there are days when just going into work and building something from someone else's drawing sounds like going back to heaven.
You're collaborating with people you don't even know, when you're making a film. You're collaborating with people you've never seen. So, the collaborative process is very, very different than when you're collaborating on a record with the musicians you've worked with all your life.
I made a resolve then that I was going to amount to something if I could. And no hours, nor amount of labor, nor amount of money would deter me from giving the best that there was in me. And I have done that ever since, and I win by it. I know.
Chemistry is like an indefinable thing. When it comes to people playing your best friend or your parents or anything like that, there's always different kind of element to chemistry.
When someone like Steven Soderbergh asks you to do a film you know you're in good hands. You know it's going to be slick, and it's going to be intelligent, and it's going to have a kind of style to it, and I would probably have done anything to be really honest.
The best thing as an actor, the best tool you have is your imagination. That you kind of take things that have happened, and then go and expand on them. However small it is, you use your imagination to create what that reality is. There's something kind of fun when you're not old enough to do anything, driving a car, getting into a bar, drinking, going to a party you don't belong to, something when you're young in that innocent way.
I've fully accepted the fact that if I'm going to do a career like this, I have to be willing to take criticism, because it's a part of the job, you know? Any Instagram thing I post, someone's going to say something. I know that. Anything on Twitter, someone's going to judge whatever I do, whatever I say, whatever I look like. I understand that.
We would be glad to have your friend come here to study, but tell him that we teach Chemistry here and not Agricultural Chemistry, nor any other special kind of chemistry. ... We teach Chemistry.
Just because you have chemistry with someone doesn't mean you're naturally going to be the best for each other. You have make choices and prioritize.
I'm very aware of the chemistry. It's something you can't take for granted. I'm very thankful for it and I recognise the power of its reality in all of our lives. Some people don't and it's a mistake not to because people throw away god-given special chemistry that's very rare, very hard to find.
The challenge is the same whether or not I'm collaborating: to empathize with your reader and to tell a story that will matter to him or her. But the mechanics of going about that challenge change when you're collaborating, because you have someone to help refine your thinking and expand your vision of what might happen.
To know we are being spied on by our own government, and to have someone else's government collaborating on that, to know that data storage is so cheap your information can be kept for years and used to create any kind of story, to me that's a grave attack on human rights.
The way I write is very much without kind of a goal. I have something I'm interested in and then I decide I'm going to explore it. I don't know where the characters are going to go, I don't know what the movie is going to do or what the screenplay is going to do. For me, that's the way to keep it alive.
I think when I was a young person, there was just kind of - there was very little dialogue about it. And there was just kind of one way to be gay, right? You saw very effeminate guys. You saw very butch women. And there was no kind of in-between. And there was no - you know, there wasn't anything in the media. There wasn't anything on television.
I know it's a very human thing to say 'Is there anything I can do', but in this case I would only entertain offers from very high-end experts in brain chemistry.
What I need is a woman who is something, anything: either very beautiful or very kind or in the last resort very wicked; very witty or very stupid, but something.
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