A Quote by Yo-Yo Ma
My job as a performer is to make sure that whatever happens in a performance lives in somebody else, that it's memorable... If you forget tomorrow what you heard yesterday, there's really not much point in you having been there - or me, for that matter.
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I think the purpose of a piece of music is significant when it actually lives in somebody else. A composer puts down a code, and a performer can activate the code in somebody else. Once it lives in somebody else, it can live in others as well.
The thing we need to work on as a country is our educational system. To me, that is something that our generation needs to be focused on. To make sure that for our next generation, every child - no matter what background, no matter what ethnicity, no matter whether they're whatever gender - that they are all educated to have real equal opportunity. That's number one for me. But I have no question that if it's not our generation that will make sure that that happens that it will be our children's generation.
While I was coaching, I believe the motivation talk I gave my players that achieved the best results was in reference to their present game-day effort. I stressed the fact that today's performance could be the most important of their life. Yesterday's performance was already history. Tomorrow really never comes, so today's performance is what really counts.
I'm not really a political-type person, meaning that I don't really make great stands or whatever, but if you ask me a direct question I say it shouldn't matter who you are, whether you're black, white, green, gay, male, female. If you can do a job and do it well you should be paid for it, you should be respected for it, and you have to be responsible. I think sometimes people can go too fare trying to make a point. I think they should just make their point and go on about.
I personally don't lock in a performance, because I do leave room for things to happen, so I just make sure I'm very intimate with what I'm saying and why I'm saying it so that no matter what happens, we can do whatever we want to do and leave space for play.
My job is really to... everyone is reading the script, and my job is to make sure we all interpret it in as much the same way as possible. And then I give them the freedom to sort of - to get their performance across and then make suggestions where things are not working and accentuate and push things where they really are working.
It's not about what you did yesterday, it's what you do tomorrow. If you rely too much on yesterday, tomorrow is going to jump up and bite you in the pants.
There is something about me that is collaborative, that wants to get the best performance out of somebody else or to hear something that somebody else has done that's good and to try and make it great.
I believe that no matter what happens, or where we go, or if there's an afterlife, that we'll always be connected. Not even death can make me forget you, or forget that I love you.
I couldn't worry about whether I`m gonna make it onstage or not. You can't. You just gotta do it. And if you do, you do, and if you don't, you don't, and then something else happens. That's the point of the live performance.
We are clear that all lives matter, but we live in a world where that's not actually happening in practice. So if we want to get to the place where all lives matter, then we have to make sure that black lives matter, too.
I'll never forget John Heard doing Shakespeare In The Park with Raul Julia and Richard Dreyfuss. It was 30 years ago, I guess. It was Othello, and John Heard played Cassio, and while everyone else was "Acting!" Heard came on talking normal, and everyone in the audience was leaning in to follow him. I wasn't doing that in Bus Stop. I think in that performance, I was putting it out a little too much.
Listen, I'm a performer, and all I'm worried about is just performing and just doing... This is what makes me happy, so no matter what, I'm going to give it my best shot, and I'm going to put myself all out there and give it 100%, and whatever happens, happens.
The artist must forget the audience,
forget the critics, forget the technique, forget everything but love for the music.
Then, the music speaks through the performance,
and the performer and the listener will walk together
with the soul of the composer, and with
God.
I think that you should just be yourself and make sure you pick a really, really good song, and make sure you're memorable.
For me, it's about having energy in the field and making sure I'm having fun and making sure everyone else around is having fun, whether it be telling a joke or something like that. It's to make sure we're all upbeat and we're ready to go.
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