A Quote by Yo-Yo Ma
One of the things I love about music is live performance.
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I think that there is such power with the live performance of it - so much of what 'Motown' is about is the live performance aspect, really. The power of our production is really the music and the performances.
I love music; I love performance. I love everything revolving around art. But I also am really passionate about politics and human rights and science and the environment. Those are things that fascinate me.
I don't particularly love live performance of my music. I love writing and recording, but you can't make money off of that.
I love doing fiction. I love doing performance films and I love doing documentaries that don't have music. I love to shoot and I love to shoot things I'm enthusiastic about.
Music films are great, but they can never compete with a live performance. Live music is what it is. It's the whole point. You experience it in the moment.
I also think something that makes the whole live performance fun for me is that I love my music.
I love live performance and have huge admiration for people who can really do it. It's the same with music: I'll play a record and think that I'm not really into country or ragga. But, if it's live and the musicians are good, I'll listen to pretty much anything.
I love to be on location. I love to be in other parts of the world. I love to be where I'm reminded about real, you know, emotions. I love to touch things and design things, and I think that, for the actor, it certainly - it certainly helps their performance.
Music gets recorded usually in one format, and when you have to take it out and perform it there are other applications and things like that that are better for the live performance.
I love silence. And one of the paradoxes about the way I live and also about my work is that definitely one of the reasons I went into music, and especially into composing is that I love setting up an environment where I can be by myself for long periods of time and have everything as quiet as possible, either to think about sound, or to think about ideas, or just to focus on things that are important to me.
I grew up loving David Letterman and Pee-wee Herman, but as far as live performance comedy, all I knew were the Jerry Seinfeld-type comedians of the world, and that's what I thought live performance comedy was all about.
Music and visual performance have to influence each other. Designers and musicians have to be the nexus of all things pop culture, so I think about designers when I'm making music.
When I was in London I found house music and techno, and I love that s - t. It's my go-to music. It's the closest for me to the old funk of James Brown and the repetitive dance music that I like from the soul music. I'd love to do a live album, like a little bit old school but still progressive, influenced maybe by more electronic music. I like everything, but I don't know anything about music. So it comes in to a lot of different ingredients.
I've done a lot of performance practice, Baroque playing, and some of the joy and the challenge of it is figuring out what the composer intended... You have music of the 17th century - it's all whole notes and half notes. But inside of that, there are so many things that one can do, at least according to what we know about performance practice.
There is something about the live performance of an orchestra that makes it very different to a film. With a film, you can rewrite it in a way with the material you have, and in rehearsals, you're really trying out different things. In an orchestra, you can't do that. They separate as soon as the performance factor comes into play.
I saw The Sound of Music again recently, and I loved it. Probably it's a more valuable film now than when it first came out, because some of the things it stood for have already disappeared. There's a kind of naive loveliness about it, and love goes by so fast ... love and music and happiness and family, that's what it's all about. I believe in these things. It would be awful not to, wouldn't it?
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