A Quote by Yoel Romero

I wouldn't be the type of person to critique anybody. I've got to look at myself first, to be a better person. — © Yoel Romero
I wouldn't be the type of person to critique anybody. I've got to look at myself first, to be a better person.
I love my voice. But I'd be the first one to make a criticism of it, so I'm not the best person to critique because I'm pretty hard on myself.
I critique myself way harder than anybody else could critique me.
Often, what I tell a new CEO asking for advice, or one of my own new leaders, is the two most important decisions that your team is going to watch is the first person you hire and the first person you promote - because you are saying that's the type of person I want.
I welcome anyone that wants to come into the WWE and try it, because, I was the type of person that was not welcome with open arms. People didn't want me to come in because I was from a Reality background. But I'm the first person that says, bring anybody in.
I'm the type of person who feels I have to prove myself first.
I don't have an inspiration, I don't have a role model. I like to meet different people and gain something from their experiences and their lives. I take inspiration and worth through what they've gone through. I don't have one person I look up to always, apart from the person that I am, if that makes sense. I just look up to the person that I was yesterday and I just try to better myself whichever way I can.
I've written short stories in first person, but you have so much more control writing in third person. Third person, you know what everybody's thinking. First person is very limiting, and I could never sustain a first person novel before.
What happened was, when I got into the brawl in Detroit, I was transitioning into a different type of person, that person that I've become, but that game had so many emotions involved.
Nobody needs to prove to anybody what they're worthy of, just the person that they look at in the mirror. That's the only person you need to answer to.
With repeated listenings, a piece eventually becomes its own being. I very often say to students that this is like meeting a person for the first time. When you first meet someone, you reference that person with others who are similar; but, as you get to know that person better, you begin to understand his unique qualities.
I had to detach myself from myself, if that makes any sense, to conjure an authentic first-person voice. In that sense, it was similar to writing a first-person novel. But I was writing about real people, not fictional ones - myself, my family, my friends and boyfriends and ex-husband, and that was extremely tricky.
For me with "The Apprentice," it kind of blew out my business brain. I don't really think of myself as a business person. I think of myself more as a creative-type person, but it's quite nice to be challenged physically and mentally.
In the founders, I look for a person I feel is trustworthy, driven and smart. I invest in the person first, because in the event the business fails, the person and I can move forward and create another business.
The casting process for 'Hate Mail' just got so difficult. Once you lock in one person and then you try to find the next person, you lose the first person and then the financing falls away.
I think first-person narrators should be complex, because otherwise the first-person is too shallow and predictable. I like a first-person narrator who can't totally be trusted.
Tibetans look at a person who holds himself above others, believing he is better than others and knows more, and they say that person is like someone sitting on a mountain top: it is cold there, it is hard, and nothing will grow. But if the person puts himself in a lower position, then that person is like a fertile field.
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