A Quote by Yogi Berra
A good time to hit is with men on base, because the pitcher ain't got no place to put you. He's going to get that ball around there somewhere. He don't want to walk you.
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I want to get on base every single time I get up there. Whether it's a walk or a base hit, I really don't care how I want to get on base. I just want to be on.
I'm going to fail to hit the mark I've put up before me because it's not possible to hit it. I want to be the best at what I do so I've got to get over myself already because that's never going to happen. I ain't ever going to be God.
In baseball, you can do something poorly and still get credit. A pitcher could throw a bad ball, the batter hit a screaming line drive, and an outfielder make a fantastic diving catch. Yet, when you look at historical databases, 80% of the time when a ball is struck with that trajectory and velocity, it is a hit.
For me, the most important thing is running a good clubhouse. The X's and the O's - you sit up in the stands and, for the most part, a lot of fans go to the game and they know what's going to happen. You're going to hit and run, steal, put a pitcher in, take a pitcher out.
I don't know if cortisone is good for you or not. But to take a shot every other ball game is more than I wanted to do and to walk around with a constant upset stomach because of the pills and to be high half the time during a ball game because you're taking painkillers ... I don't want to have to do that.
Chemistry is really about two people who like to act together, I think. It's like tennis in the most cliched way. It's like if you hit the ball, they hit the ball back, and they don't hit it into the stands, and they don't put the ball in their pocket and walk off - and they don't argue with the umpire, you know?
The pitcher wound up and he flang the ball at the batter. The batter swang and missed. The pitcher flang the ball again and this time the batter connected. He hit a high fly right to the center fielder. The center fielder was all set to catch the ball, but at the last minute his eyes were blound by the sun and he dropped it.
When I was learning how to box, that was the number one thing my trainer taught me. He said you can't get angry at every single time I hit you because that's why you're here. You're going to get hit. Acknowledge that you're going to get hit and now focus on how you're going to fight properly. And living through the times is exactly the right way to put it because I have seen a slice of this only on a different continent.
You never want to be in a defensive mode or have a defensive mindset. You always want to know that you're in control as the pitcher, you make him get hits, you're never passive, always aggressive. If I get beat, I want it to be because I got rocked, got hit hard, never because I walked a couple of guys and before you know it.
A pitcher's got to be good and he's got to be lucky to get a no hit game.
I don't want a new ball when I am bowling in the subcontinent. I want an old ball that can't get hit out of the ground. I want a ball that when I bowl doesn't have true bounce, so that the batsman can't hit it.
Keep your head on the ball. You've got to hit it first, then look where it goes. People get in trouble when they look for where the ball's going, and they haven't even hit it yet.
How do you walk from one place to another? What makes you want to walk someplace? Any place that you want to get out of your car and walk is a good place by definition.
If a pitcher goes up there and he's throwing a ball and it's a breaking ball down and away or a fastball up and in, a perfect pitcher's pitch, and you're able to just foul it off and stay alive in the at-bat, just keep grinding, keep working through the at-bat and hoping for that mistake that he's going to make. And if he doesn't, then you walk.
Generally in the Little League you're up against a good pitcher who throws like hell. What does the coach say? Get a walk. Isn't that beautiful way to learn to hit? For four years you stand up there looking for a walk.
I feel like I've finally got to this place that I really want to be. The place where, in my fantasy, the characters just get up and walk around - this interstitial place between humans and dolls. But I also feel like, where am I supposed to go from here? Because this feels like the place I've always wanted to be, for my whole life of shooting.
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