A Quote by Yoko Ono

Imagine painting all the statues in the world in the color of the sky — © Yoko Ono
Imagine painting all the statues in the world in the color of the sky
Painting is drawing, with the additional means of color. Painting without drawing is just 'coloriness,' color excitement. To think of color for color's sake is like thinking of sound for sound's sake. Color is like music. The palette is an instrument that can be orchestrated to build form.
We think of color as a thing that we’re receiving. And if you go into one of the Skyspaces, you can see that it’s possible to change the color of the sky. Now, I obviously don’t change the color of the sky, but I changed the context of vision.
The older I get, the more I feel that color is what painting is. Painting is primarily color.
Color is one of the great things in the world that makes life worth living to me and as I have come to think of painting it is my efforts to create an equivalent with paint color for the world, life as I see it.
The coming and going of birth and death is a painting. Unsurpassed enlightenment is a painting. The entire phenomenal universe and the empty sky are nothing but a painting.
I think every painting should be the same size and the same color so they're all interchangeable and nobody thinks they have a better painting or a worse painting.... Besides even when the subject is different, people want the same painting.
Color is a language. It is the language of painting. How painting expresses itself is in large part with color.
Wow, just imagine missing school on the day when they were learning blue. You'd spend the rest of your life wondering what color the sky is.
Color tends to corrupt photography and absolute color corrupts it absolutely. Consider the way color film usually renders blue sky, green foliage, lipstick red, and the kiddies' playsuit. These are four simple words which must be whispered: color photography is vulgar.
You can imagine what the advisers are telling Junior Assad: "Your statues are much stronger than Saddam's. His were hollow, and bolted in place with inferior metal; yours are solid, and are anchored to a depth of three feet. Let the American tanks come! Their gears will strip and their engines whine in defeat as they attempt to pull down your statues!
A building is akin to dogma; it is insolent, like dogma. Whether or no it is permanent, it claims permanence, like a dogma. People ask why we have no typical architecture of the modern world, like impressionism in painting. Surely it is obviously because we have not enough dogmas; we cannot bear to see anything in the sky that is solid and enduring, anything in the sky that does not change like the clouds of the sky.
"Nothing ever happens like you imagine it will," she says. The sky is like a monochromatic contemporary painting, drawing me in with its illusion of depth, pulling me up. "Yeah, that's true," I say. But then after I think about it for a second, I add, "But then again, if you don't imagine, nothing ever happens at all."
A society person who is enthusiastic about modern painting or Truman Capote is already half a traitor to his class. It is middle-class people who, quite mistakenly, imagine that a lively pursuit of the latest in reading and painting will advance their status in the world.
A color which would be 'dirty' if it were the color of a wall, needn't be so in a painting.
The sky itself is the eighth color of the rainbow, spread over the whole sky for us, all the time.
All painting - the painting of the past as well as of the present - shows us that its essential plastic means were only line and color.
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