A Quote by Yoko Ono
Sometimes I have compared myself with a scientist or something: when you discover something and you don't expect the whole world to understand it. I always thought I was doing that kind of activity, in art and in music too.
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Sometimes when you're in the midst of something you don't always appreciate it while you're doing it. Gargoyles was an exception to that. At the time, I knew we were doing something kind of special. Something that might not be repeatable. It turned out to be, professionally.
I always listen to music no matter what I'm doing. Music is definitely always something that drives the mood and creating and helps you lock that in and escape to a whole other world.
When I was at art school, a lot of art education is about art being a means of self-expression, and as an 18-year-old I didn't know if I had a huge amount I wanted to express. It was a big moment when I decided I wanted to shift the emphasis or the intention of my art from something I disgorged myself upon and something that actually fed me or made me see the world or understand the world.
I love learning, so it's definitely something I could see myself doing when I'm 30 or something. I always wanted to go for music production and health and psychology. But my whole life, I was in a gym for eight hours a day. I'm ready to be young and have fun.
The reward of the young scientist is the emotional th
rill of being the first person in the history of the world to see something or to understand something. Nothing can compare with that experience The reward of the old scientist is the sense of having seen a vague sketch grow into a masterly landscape.
My parents always wanted me to do music because they thought it was such a great extracurricular activity but we never thought it was going to be something that would be my career.
I always want to set myself a challenge by doing something no-one would expect me to do! But, having said that, I don't feel as a musician you can steer too far away from what you normally do.
Art movements are always linked to some kind of turmoil. We can look at history and see that [political turmoil is] fertile ground for art. I also think that it gives artists something, a way of kind of processing. My friends and I have all been super motivated to work and to do the work that we need to and want to and think should be in the world. Hard times are really a fire under your ass to prioritize and think, "Okay, how can I challenge myself to put something in the world that wasn't there that can reach other folks and help them to process"?
I don't believe in art like I used to. I believe in something beyond it, something that contains art and everything else. But I just don't quite have the nerve to chuck drawing and painting. Part of it is that I enjoy it too much, and part is that I don't have the courage to renounce the world. I don't want to move out of this nice neighborhood so that I can live in a shed and devote myself to meditating and touching something I can't feel. I'm addicted to the fun of playing in the world.
I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.
If I go into a museum, it doesn't matter how often a work of art has been written about or thought about, I am going to discover something that is my own, which will be new. You always must be discovering, rediscovering. That's what the world of art means. It means constant mystery in the discovery, the rediscovery.
It seems to me that we can’t explain all the truly awful things in the world like war and murder and brain tumors, and we can’t fix these things, so we look at the frightening things that are closer to us and we magnify them until they burst open. Inside is something that we can manage, something that isn’t as awful as it had a first seemed. It is a relief to discover that although there might be axe murderers and kidnappers in the world, most people seem a lot like us: sometimes afraid and sometimes brave, sometimes cruel and sometimes kind.
I think the main lesson that I have learned is that a good scientist is a humble scientist who is open-minded to listen to other scientists when they discover something.
Doing things that allow you to learn something are great and I love when you have an opportunity to discover a whole new part of the world.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
Think about it: you've already related it down to something that somebody else can understand. If art relates to something - it's like Picasso, it's like Mondrian - it's not. Art's supposed to be what it is. Using a reference of art history might help for some kind of sales, but it doesn't really help anybody. Art is what it is; it cannot be footnoted, until it enters the world. Then it has a history. Then the footnotes are the history, not the explanation.
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