A Quote by Yoko Ono
I travel a lot, so when I arrive in a city, I like to go to good local bookshops and make a selection based on how I'm feeling and what I'm thinking. The book I pick usually seems to have a definite karmic connection!
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I think that most people go to bookshops and have no idea what they want to buy. Somehow the books sit there, almost magically willing people to pick them up. The right person for the right book. Its as though they know whose life they need to be a part of, how they can make a difference, how they can teach a lesson, put a smile on a face at just the right time.
I despair of ever getting it through anybody's head I am not interested in bookshops, I am interested in what's written in the books. I don't browse in bookshops, I browse in libraries, where you can take a book home and read it, and if you like it you go to a bookshop and buy it.
It's actually as simple as this. New authors, building their customer base, need physical bookshops. Physical bookshops are lovely tactile, friendly, expert, welcoming places. Physical books, which can only be seen and handled in physical bookshops, are lovely, tactile things. Destroy those bookshops, and the very commercial and cultural base to the book industry is destroyed. Once and for all. Like Humpty Dumpty, it can never be put together again.
I'm trying to travel more. Like, intentionally travel. I really want to go and implicate myself in a city and meet people and see how they live and get outside of my world a bit.
New York is a lovely city. It is an easy city to go back to and an easy city to leave. Every time I go there I immediately make travel plans.
No, Not even remotely...Because I don't care. I don't pick roles based on how famous they are going to make me, I pick roles based on how they're going to inspire me intellectually.
Everyone in Tool is interested in how we present our music. We write a group of songs that have a vibe, energy and feeling, and then we try to pick an image to capture that and communicate a feeling. We want something that adds to the connection with the audience.
If writing is thinking and discovery and selection and order and meaning, it is also awe and reverence and mystery and magic....Authors arrive at text and subtext in thousands of ways, learning each time they begin anew how to recognize a valuable idea and how to reader the texture that accompanies, reveals or displays it to its best advantage.
The connection I make with being young and growing up is, like, the feeling of not being crushed by the world. Having an idea, thinking you can do it.
It seems like a cliche, but you do grow up a lot faster when you travel a lot, go through things like this interview, spend time away from home and hang around with other actors. It's inevitable that you're not going to have a so-called normal childhood.
Reading what a good shot is, based on time and score of the game, based on the shot clock, based on my position - there's a lot of things that go into it. It's a lot of things that you think about based on when to shoot it or when not to.
I opposed annexing in areas around our city borders, because I knew that if neighborhoods wanted to be a part of the city, well, they would mandate themselves in and invite themselves into a city. That's just one example of even on a local level how dangerous it is for a politician to start thinking they know more than that individual family, that individual business.
When I go to places and do book tours, I don't really like doing traditional bookshops. It's nice to walk people through something instead of just standing up in a bookstore.
Based on paper, because of my size, a lot of promoters and hole-in-the-wall indies will book me against the local big guy.
Generally I start writing when I have even the smallest idea of how a book is going to go, because the physical process of writing itself keeps the mind active and focused on the job at hand. Usually I write in about 5 drafts, but that simply means there are 5 definite times when I go in a linear fashion from the beginning to the end of the book.
As a mayor, I don't make my decisions based upon whether it is a "Democrat" issue. You make your decisions based upon the people you represent as a city to move our city forward.
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