A Quote by Yoko Ono
Why do they cover Paul's songs but never mine?
Related Quotes
That's why I don't necessarily enjoy it when bands cover other songs. You'll never recreate what has been done, especially if it's something that's legendary and classic.
I've always covered some Dylan songs. I do one or two. And I do them because they're great songs. You know some people cover songs they wish they could have written, not me. I like to cover songs I know I could not have ever written.
... Jimmy Page bought a Les Paul because he liked mine, but it was stolen, so he bought a Standard everybody raved about .. that's what he's famous for, but his first Les Paul was a Custom like mine ... I can remember he played a Gretsch before that
We didn't say, 'Hey, we're gonna pick a bunch of cover songs,' or, 'We're gonna write an original song that has to sound like this, because we're a metal band, so we're gonna cover some metal songs.' We did the opposite. We just said, 'We're gonna have fun with these songs, and we're gonna try different things.'
I think I started doing covers when I was... what, like 9 or 10? I would always do the songs that I wanted to do and the songs that my parents wanted me to do. You would see me cover every Adele, Christina Aguilera, Taylor Swift and Carrie Underwood. Then I'd have to do 'Sweet Child O' Mine' and 'Crazy Train,' and it was a really weird combination.
It doesn't matter how good the enemy's weapons are. If he can't see you, he can't hit you. Cover, cover, cover. Make sure you're never exposed.
I think my legacy is important because my songs - perhaps more than those of any other songwriter I know - cover every movement from 1965 on, socially and artistically. If you want songs about ecology, I've got ecology songs; if you want songs about spirituality, I've got spiritual songs.
The only criterion we used in doing cover material was we wanted to do songs that we wished bands would play when we went out. We were doing Yardbirds and Rolling Stones cover songs-which is not any big deal, but where we were from, all we were getting were Top 40 bands.
Paul McCartney is a genius ... Paul married Rock & Roll to beauty, and forever raised the bar for composers, musicians, and fans ... an incredible solo performer ... the creator of our favorite songs.
The LUMS Olympiad back 10 years ago gave me a boost to sing songs where I first met with amazing Uzair Jaswal who did not sing cover songs but his original songs.
When I stand up to talk, people listen to me; they will follow what I have to say. Is it any power of mine? Of course not. St. Paul says, 'What have you that you have not received and you who have received, why do you glory as if you had not?' But the secret of my power is that I have never in fifty-five years missed spending an hour in the presence of our Lord in the Blessed Sacrament. That's where the power comes from. That's where sermons are born. That's where every good thought is conceived.
When I started out as a cover band, I was obsessed with Keith Urban and Jason Aldean and Eric Church; those are the songs I chose to sing as a cover band.
Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
I would go on the iTunes chart and see the hottest songs, then I'd cover them. People would go on YouTube and search for those songs. That's how I got my views. I'd post two or three songs a week.
I have a lot more writing experience than Paul Dano has, so to be able to put that experience to use in exercising his vision was almost an acting exercise: How would I write if I were Paul? When I look at it, it feels so completely his, but it's also mine.
Why Me? Why You? Why His? Why Hers, Why Mine? or Why Theirs? It should be We and Ours.
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