A Quote by Yoko Ono
I have been known as the minimal and conceptual artist for over five decades. I think I haven't changed much.
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Folk-rock hasn't changed much over the decades since the Byrds started it.
There is a slight problem with being a conceptual artist these days: You won't get paid. But this levels the field and takes the art of money out of the field of serious art. The only conceptual artists who would conceive of making money on the Internet are a lowbrow species known as hustlers.
The notion about education has changed and that now it’s sort of much more aligned with, “Well, schools can’t combat poverty. We can’t possibly expect schools to do the work to overcome poverty.” I think that notion which has changed over the last few decades is part, not all, but part of what is maybe leading to people feeling less of a sense of possibility.
He [Donald Trump] is a tough boss. I've known him for decades. He hasn't changed very much. He's a driven person, highly intelligent, and he's very motivated, very charismatic, and he is tough as nails in the sense there's no slack there. You can't put anything over on Donald. Donald can see right through someone trying to dissemble or spin stuff.
People who look at art don't really - don't go with the artist. They don't sort of accept what he or she has done and kind of go with it. There are always - either there's too much color or not enough color, either it's not conceptual enough or it's too conceptual. In other words, most criticism isn't what the viewer expected that it would do based on what they think you have done and that's good as far as I'm concerned.
Sweden was once a very homogenous society, but no more. For decades, people have been coming into Sweden from all over the world, and that's changed the way we cook.
I think Putin has changed, for sure. He has changed over time and he has been emboldened by, whether it's true or not, the perception is that we've pulled back, so people do change and this is an example of that.
I think that if someone told me I could have been a visual artist, I might have been a visual artist instead. And if I'd known I could have done art history, I would have done that. But I just didn't know.
I think that, right now, I am travelling in many different directions in my mind, on where I wanted to be. So much is wantin' to go back, but I still gotta move forward. But I think it's just that I'm my worst critic at all times, you know? And when I make somethin', it may be five or ten cuts later before I actually call it what it is. I've always been that kind of artist. I'm gonna put myself through the sweat for it, because I think, as an artist, that's what made me iller, is the fact that I didn't wanna just put out anything and everything. It's just a process, you know what I mean?
I think that I have grown a lot as an artist. I have been writing about my experiences of love and overcoming the struggles that I have faced in the music industry. I have so much more to tell my fans, and I know so much more about myself. It is crazy how much I have grown over these past years.
The whole idea of a trade deal is to build a fence around participants inside and give them an advantage over the outside. So there's a conceptual flaw in that, one of many conceptual flaws in NAFTA.
Silicon Valley has been this global engine of innovation and economic growth over the last few decades, but a tidal wave of innovation that has been focused very much in the digital realm.
The great artist when he comes, uses everything that has been discovered or known about his art up to that point, being able to accept or reject in a time so short it seems that the knowledge was born with him, rather than that he takes instantly what it takes the ordinary man a lifetime to know, and then the great artist goes beyond what has been done or known and makes something of his own.
It's very common to think that we're always evolving, that we've changed so much from our younger selves, that within decades we've transformed into these different people. We like to think that. I feel in some ways that I am still so much my younger self. There are ways that I'm different: I feel like I'm wiser and kinder. But I think a lot of the impulses are still the same. I learned that.
I think barefaced, minimal makeup happens mostly on editorial shoots. And I've taken a swing at minimal makeup here and there, but I think a lot of what drag celebrates is the opposite of that. I think the inauthenticity and the hyperfemininity is part of why it's so celebrated.
I think a conceptual idea comes to me first - something I've been mulling over a lot right before I feel like writing a book - and then the characters start to develop around it.
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