A Quote by Yoko Ono

My father was a banker, but he was an independent spirit. He was a very good pianist and very much into music. — © Yoko Ono
My father was a banker, but he was an independent spirit. He was a very good pianist and very much into music.
From early on there were two things that filled my life - music and storytelling, both of them provoked by my father. He was a jazz pianist and also a very good storyteller, an avid reader. He passed both those interests on to me.
When you're single, you're very independent. Very independent women raised me. We didn't have a lot of male figures as the head of our household, so I got, and took on, a lot of that strong spirit from the matriarchs in my family.
I come from a wonderful family. My mother was a pianist and my father was a salesman. They were very middle-class, very middle-Western.
Too much good taste can be very boring. Independent style, on the other hand, can be very inspiring.
The first time I started listening to Irish music, I had a very strong connection. Strangely enough, there's a great many Japanese melodies and vocal styles that sound very much like Hungarian music. You start seeing all these cross-references and comparative, independent musical cultures.
It's all very well having a great pianist playing but it's no good if you haven't got anyone to get the piano on the stage in the first place, otherwise the pianist would be standing there with no bloody piano to play.
My soul is always lifted up, and my spirit cheered and comforted, when I hear good music. I rejoice in it very much indeed.
Djesse,' essentially, is this spirit. It's this sort of character, very much with some childlike energy, which permeates all of this music... The first album represents kind of pre-dawn, to that moment at the end of the morning when everything's very much alive.
Even if you are a pianist, your concerto repertoire is very limited compared to what your chamber repertoire would be if you were a chamber music pianist.
Reality is a state of mind. To the banker, the money in his ledger book is all very real, though he doesn't actually see it or touch it. But to the Brahma, it simply doesn't exist the way the air and the earth, pain and loss do. To him, the banker's reality is folly. To the banker, the Brahma's ideas are as inconsequential as dust.
It's a very independent male creature that lives alone, and a lot of independent females who live alone. It's all very sad but it's much easier for both sexes to do it this way nowadays.
If you force yourself to write away from the piano, you come up with more inventive things. If you're too good a piano player, as some composers are, the music may become flavorless and glib. And if you're not a very good pianist, you're limited to the same patterns.
It was a great joy for me to develop a strong female character in the spirit of an Icelandic woman. Icelandic women tend to be very strong and very independent, and I think that came in very handy.
When I was young, I played the piano and studied classical music and jazz. I wanted to be a concert pianist, and if I'd devoted myself to it, I could have been. But it would have been too much work and a very lonely life.
In terms of exploring an identity in the country music world, what I realized very quickly was that there are people who have been performing country music since they were kids. It's very much a part of who they are; very much that jazz and blues are a part of who I am, because I grew up listening to and playing that kind of music.
There's always the syndrome of the parent-child relationship: when someone has known you since you were very young, it doesn't matter how much more independent, how much older or more mature you get - there is still that element, the dynamic of the relationship that is very hard to successfully transform, and that has nothing to do with the music-making, in the end.
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