A Quote by Yoko Ono

Most people like to hear sounds they are used to. — © Yoko Ono
Most people like to hear sounds they are used to.
Most people don't take some things into consideration. When they hear an album, they hear the artist or they hear the lyric or they hear the melody. But they don't really think about the environment in which it was recorded, which is so important. It's that thing that determines what the album sounds like.
Rhythms and sounds are often the first thing I hear and want in a poem, so I can't imagine trying to translate something without at least being able to hear what it sounds like.
I don't physically put Appetite For Destruction in and listen to it, but I hear it on the radio or at sporting events or wherever else it pops up, and it's great. I dig everything about it. When I hear Appetite, it sounds like exactly what it was. It sounds like a record made by an angry bunch of kids.
Some people with autism who don't talk, all they hear are vowel sounds. Like if I said 'cup,' they might just hear 'uh.'
Now I will do nothing but listen to accrue what I hear into this song. To let sounds contribute toward it. I hear the sound I love. The sound of the human voice. I hear all sounds running together.
When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.
It is true that if you hear our music described, it sounds unappealing. I used to laugh and agree with people when they said it didn't make any sense.
When you hear that howl alone at night in the forest, it's one of the most frightening sounds you'll ever hear.
I had a speech class in elementary school. And you know how teachers, when a kid is struggling to pronounce a word, used to lead him and say, 'Johnny, sounds like... ? Johnny, sounds like... ?' I said out loud, 'Sounds like Johnny can't read.' Teacher told me to leave the room.
A lot of people ask me where music is going today. I think it's going in short phrases. If you listen, anybody with an ear can hear that. Music is always changing. It changes because of the times and the technology that's available, the material that things are made of, like plastic cars instead of steel. So when you hear an accident today it sounds different, not all the metal colliding like it was in the forties and fifties. Musicians pick up sounds and incorporate that into their playing, so the music that they make will be different.
Any material can be treated in any number of ways. Sometimes I might hear something, or someone else might hear something, and say, "Wow, that sounds like classical music." Somebody else might think it sounds like a slow jam.
When I hear bluegrass today, I hear so many new sounds in it. It's almost like country music in a way.
For my first album, I thought it was most important for people to hear my voice and to not let it be drowned out by too many lasers and other sounds.
'Milk and Honey' was written with me being honest to myself, kind of pulling at the things that I hear the most and saying that out loud, and you know, that thing that we hear the most is most universal, and so that rings true with all folks. The language used in the poetry is extremely, extremely accessible.
I don't want to hear from a band that pretty much sounds like another band. Oh I've heared this riff before, or I've heared these words that everyone is saying. I want to hear new poetry, new guitar riffs, new drum-beats, new sounds. Then I'm really interested.
Just trying to be different - when I hear something - I don't like to go trampling on other people's sounds.
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