A Quote by Yoko Ono

You can't always be in awe of someone's talent, living with them. — © Yoko Ono
You can't always be in awe of someone's talent, living with them.
Working in Korea with the talent and staff there was very eye-opening. I was in awe of everyone's talent, passion, and love for the process.
Everyone has some kind of talent, something they are good at, or something that energizes them and excites them. When you see a little spark of talent and love for something, no matter how young a person is, encourage it. Letting someone know that their talent is special and they are special, can change and determine the trajectory of a life.
You need talent, dedication, skills, perseverance and so many other things to become successful. If you think you are very talented but someone needs to unveil your talent, then you are living in a fool's paradise. You have to prove yourself every day.
There are thousands of Eminems. Just listen to a song. There are thousands of them. It's just that he had the talent. It's like someone with a talent to hit a baseball. He had the talent to write lyrics.
Talent alone doesn't matter in this industry, and everyone knows this. If someone says, 'Good films are done', 'Talent always survives', there are other factors, too, which are far more important.
Outsiders always look for a reason to explain why they are not inside. They never look in the mirror. Let's face it, the profession I'm in is a very simple and a very cruel one. There is no way that you can create a career for someone without talent and no way to stop a career of someone with talent.
I have always tried to live by the 'awe principle.' That is: Can I find awe, wonder and enchantment in the most mundane things conceivable?
Every human being has hundreds of separate people living under his skin. The talent of a writer is his ability to give them their separate names, identities, personalities and have them relate to other characters living with him.
I always think of it like this: Rather than be the sun to someone and light up everything around them, I want to be the moon and light the way just a little in front of them when they are lost or uncertain in the darkness, and always be there with them when they look up. That’s my way of living.
We buy things. We wear them or put them on our walls, or sit on them, but anyone who wants to can take them away from us. Or break them. ... Long after he's dead, someone else will own those stupid little boxes, and then someone after him, just as someone owned them before he did. But no one ever thinks of that: objects survive us and go on living. It's stupid to believe we own them. And it's sinful for them to be so important.
If I was a fan of someone as a teenager, then it's OK for me to feel completely in awe when I meet them.
My middle name really is perseverance. I've always believed that I had talent, even when I felt like a very inferior sort of person, which I spent a lot of time living my life feeling that I wasn't worthy. But even then I knew that I had something special, and maybe that's what it takes. Maybe people need to have that kind of particular core driving them. But I felt I had talent.
I love video games. I'm also slightly in awe of them. I'm in awe of their power in terms of imagination, in terms of technology, in terms of concept. But I think, above all, I'm in awe at their power to motivate, to compel us, to transfix us, like really nothing else we've ever invented has quite done before.
It {Darwin's theory of evolution] was a concept of such stunning simplicity, but it gave rise, naturally, to all of the infinite and baffling complexity of life. The awe it inspired in me made the awe that people talk about in respect of religious experience seem, frankly, silly beside it. I'd take the awe of understanding over the awe of ignorance any day.
We lived in so many flats, and the more people you could get, the cheaper the flat was. Someone was always sleeping in the living room, and you're always slightly hiding them when the landlord came round.
It's hard to come across someone who can look past an artist who is larger and just see them for the talent they are and have them be willing to invest what's necessary to make them a star.
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